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| Samuel van Hoogstraten View through a House (Samuel Pepys saw and described this painting) 1662 oil on canvas National Trust, Dyrham Park, Gloucestershire |
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| George Pyne Room of George James Drummond at Oxford 1853 watercolor and gouache on paper Cooper Hewitt, Smithsonian Design Museum |
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| Titian Ramsay Peale Music Room of Apartment in the Smithsonian for its Secretary 1862 albumen print Smithsonian Archives, Washington DC |
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| Franz Alt Salon in Vienna 1872 watercolor and gouache on paper Cooper Hewitt, Smithsonian Design Museum |
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| Frederic Shields William Blake's Workroom and Deathroom ca. 1880 watercolor on paper Delaware Art Museum, Wilmington |
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| Gustaf Cederström Schoolroom 1889 oil on canvas Prins Eugens Waldemarsudde, Stockholm |
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| David Milne Icebox and Kitchen Shelves 1919 watercolor on paper Museum London, Ontario |
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| Alexandre Benois Study of Czar Alexander II, Gatchina Palace, Saint Petersburg ca. 1920-30 watercolor and gouache on paper Cooper Hewitt, Smithsonian Design Museum |
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| Stella Bowen Paris Interior 1931 watercolor on board Art Gallery of South Australia, Adelaide |
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| Beauford Delaney Untitled 1948 oil on canvas Whitney Museum of American Art, New York |
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| Rudy Burckhardt Helen Frankenthaler's first show at André Emmerich Gallery, New York 1959 gelatin silver print Archives of American Art, Washington DC |
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| Wayne Sorce Untitled ca. 1975 C-print Art Institute of Chicago |
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| Joanne Leonard Manuel Neri's Kitchen ca. 1980 gelatin silver print Portland Museum of Art, Maine |
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| Larry Sultan Child's Room, Mulholland Drive 2001 C-print Whitney Museum of American Art, New York |
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| Angela Lorenz Anatomical Theater, Bologna 2010 ink on paper Smithsonian American Art Museum, Washington DC |
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| Dale Kennington Books and Business 2011 oil on canvas Smithsonian American Art Museum, Washington DC |
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| Jonas Wood Inglewood Listing 2019 oil and acrylic on canvas Whitney Museum of American Art, New York |
On Pallas Bathing, from a Hymn of Callimachus
Nor oils of balmy scent produce,
Nor mirror for Minerva's use
Ye nymphs who love her! she array'd
In genuine beauty, scorns their aid.
Not even when they left the skies
To seek on Ida's head the prize
From Paris' hand, did Juno deign,
Or Pallas in the chrystal plain
Of Simois' stream her locks to trace,
Or in the mirror's polish'd face,
Though Venus oft with anxious care
Adjusted twice a single hair.
– Callimachus (ca. 300-240 BC), translated by William Cowper (1799)