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| Anonymous French Photographer Amorous Man ca. 1925 hand-colored gelatin silver print Archives of American Art, Washington DC |
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| Anonymous French Photographer Amorous Woman ca. 1925 hand-colored gelatin silver print Archives of American Art, Washington DC |
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| Anonymous German Photographer Amorous Couple ca. 1930 hand-colored photoprint (postcard) Archives of American Art, Washington DC |
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| Anonymous Italian Printmaker Gli Amori di Greta Garbo 1930 lithograph (poster advertising book) Archives of American Art, Washington DC |
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| Christopher Wood Lovers before 1930 drawing British Museum |
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| George Hurrell Joan Crawford and Clark Gable 1936 gelatin silver print National Portrait Gallery, Washington DC |
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| Clarence Sinclair Bull Jean Harlow and Clark Gable 1937 gelatin silver print National Portrait Gallery, Washington DC |
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| Luigi Martinati Hedy Lamarr and Paul Henreid - I Cospiratori ca. 1940 lithograph (poster) National Portrait Gallery, Washington DC |
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| Douglas Gorsline Invitation to Lindy Hop 1941 engraving Smithsonian American Art Museum, Washington DC |
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| Anonymous Printmaker Sailor Beware! Loose Talk Can Cost Lives 1942 lithograph (poster) National Museum of American History, Washington DC |
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| Thomas Hart Benton Poker Night (scene from A Streetcar Named Desire on Broadway) 1948 tempera and oil on linen, mounted on panel Whitney Museum of American Art, New York |
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| Douglas Kirkland Marilyn Monroe 1961 pigment print National Museum of American History, Washington DC |
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| Dennis Wheeler Sex Explosion 1969 dye transfer print (commissioned by Time magazine) National Portrait Gallery, Washington D |
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| Gustave Klumpp Wedding Dream in Nudist Colony 1971 oil on canvas Smithsonian American Art Museum, Washington DC |
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| Braldt Bralds Charles and Diana 1981 oil on canvas (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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| Duane Michals The Bewitched Bee 1986 gelatin silver print Carnegie Museum of Art, Pittsburgh |
Neteheard
Eunica skorned me, when her I would have sweetly kist,
And railing at me said, goe with a mischiefe where thou list.
Thinkst thou a wretched Neteheard mee to kisse? I have no will
After the Countrie Guise to smouch, of Cittie lips I skill.
My lovely mouth, so much as in thy dreame thou shalt not touch,
How dost thou look? How does thou talke? How plaiest thou the slouch?
How daintilie thou speakst? What courting words thou bringest out?
Howe soft a beard thou hast? how faire thy locks hang round about?
Thy lips are like a sickmans lips, thy hands, so black they be,
And rankely thou dost smel, awaie, least thou defilest me.
Having thus said, shee spatterd on her bosome twise or thrise,
And still beholding me from top to toe, in skorneful wise,
She mutterd with her lips, and with her eies she lookte aside,
And of her beutie wondrous coy she was, her mouth she wride,
And proudly mockt me to my face. My blud boild in each vaine,
And red I woxe for griefe, as doth the rose with dewye raine.
Thus leaving me, awaie she flung; since when, it vexeth me,
That I should be so skorncde, of such a filthie drab as she.
Ye Shepeheards, tel me true, am not I fair as any swan?
Hath of a sodaine anie God, made me another man?
For well I wote before, a cumlie grace in me did shine,
Like Ivy round about a tree, and dekt this bearde of mine.
My crisped lockes, like Parslie on my temples wont to spred,
And on my eiebrows black, a milke white forhed glistered.
More seemelie were mine eies, than are Minerva's eies I know,
My mouth for sweetnes passed cheese, and from my mouth did flow
A voice more sweete than hunniecombes. Sweet is my rundelaie,
When on the whistle, flute, or pipe, or cornet I do plaie.
And all the weemen on our hills doe saie that I am faire,
And all do love me well. But these that breath the citty aire
Did never love me yet. And why? The cause is this I know,
That I a Neteheard am. They heare not, how in vales below
Faire Bacchus kept a heard of beastes; nor can these nice ones tell,
How Venus raving for a Neteheards love, with him did dwell
Upon the hills of Phrygia, and how she lovde againe
Adonis in the woods, and mournde in woods, when hee was slaine.
What was Endymion? Was he not a Netehearde? Yet the Moone
Did love this Neteheard so, that from the heavens descending soone,
She came to Latmos grove, where with the daintie lad she laie.
And Rhea, thou a Neteheard dost bewaile, and thou al daie
O mighty Jupiter, but for a shepeheardes boie didst straie.
Eunica only dained not, a Neteheard for to love,
Better forsooth then Cybel, Venus, or the moone above.
And Venus, thou hereafter must not love thy fair Adone
In cittie, nor on hill, but al the night must sleepe alone.
– Theocritus (early 3rd century BC), translated by Anonymous (1588)


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