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| Timothy H. O'Sullivan Cave-in at Comstock Mine, Virginia City, Nevada 1868 albumen silver print Amon Carter Museum, Fort Worth, Texas |
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| Caspar Luyken Scene of Devastation ca. 1700 engraving (book illustration) Herzog August Bibliothek, Wulfenbüttel |
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| Wolfgang Petrovsky and Frank Voigt On German History (Vertical) 1984 mixed media on panel Galerie Neue Meister (Albertinum), Dresden |
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| Axel Revold Night 1927 oil on canvas Nordnorsk Kunstmuseum, Tromsø |
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| Sigmar Polke Untitled 1996 emulsion paint on fabric Museum Folkwang, Essen |
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| Anonymous Photographer Promenade on Lake Michigan ca. 1912 collotype (postcard) Amon Carter Museum, Fort Worth, Texas |
| Albert Bierstadt Gathering Storm in the Valley 1891 oil on canvas Nordsee Museum, Husum, Germany |
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| Louis Garneray Shipwrecked ca. 1835 oil on canvas Musée des Beaux-Arts de Brest |
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| James Ensor Christ on the Sea of Galilee ca. 1900 oil on canvas Musée d'Ixelles, Brussels |
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| Georg Baselitz Volkstanz Marode (Weary Folkdance) 1989 oil on canvas Scottish National Gallery of Modern Art, Edinburgh |
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| Henri Edmond Cross The Glade 1906 oil on canvas Wallraf-Richartz Museum, Cologne |
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| Frederick A. Greenleaf Sand Cliffs, Old Road, Helena to Benton ca. 1877-85 cyanotype Amon Carter Museum, Fort Worth, Texas |
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| Marsden Hartley Earth Cooling 1932 oil on cardboard Amon Carter Museum, Fort Worth, Texas |
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| Christian Rohlfs Cemetery Wall in Weimar 1889 oil on canvas Kunsthalle zu Kiel |
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| Pierre-Jacques Volaire Eruption of Vesuvius 1771 oil on canvas Musée des Beaux-Arts de Brest |
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| Luc Simon Les Ateliers - La Chute des Anges 1983-85 oil on canvas Musée des Beaux-Arts de Reims |
I hate Love. For why does the severe god not attack animals, but shoots his arrows at my heart? What profit is it for a god to burn up a man? Or what cause does he have to boast in wresting a prize from my head?
If anyone blames me, a skilled servant of Love, because I go about, my eyes armed with bird lime for the hunt, he should know that Zeus, and Hades, and the lord of the sea were slaves to violent desires. If the gods are so, and they tell men to follow the gods, what wrong do I do in learning the deeds of the gods?
You fell in love when you were rich, Sosicrates, but now that you are poor you are in love no longer: such a remedy hunger holds. Menophila, who once called you "sweetie" and "darling Adonis," now asks your name. "What man art thou, and whence, thy city where?" Truly you learned the hard way the saying, "He who has nothing has no friends."
Son of illustrious Megistocles, do not – not even if he seems to you more precious than your own two eyes, even if he gleams from the bath of the Graces – do not buzz about the lovely boy. He is neither gentle nor innocent, but courted by many, and no novice in love. Beware, my friend, and do not fan the flame.
In the middle of the night I deceived my husband and came, soaked by the pounding rain. Was it for this that we sit idle, talking, and do not go to bed as lovers ought to go to bed?
– from Book V (Amatory Epigrams) of the Greek Anthology, edited and translated by W.R. Paton (1916), revised by Michael A. Tueller (2014)

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