Tuesday, September 15, 2026

Visual Preferences (20th Century: 1976)

Pedro Pérez
Monsters that will prevent people like Sydney Tillim from becoming Famous Artists
1976
oil on canvas
NSU Art Museum, Fort Lauderdale, Florida

Pat Andrea
Lighting a Cigarette in Buenos Aires
1976
oil on panel
Kunstmuseum, The Hague

Tom Wesselmann
Smoker
1976
screenprint
Lowe Art Museum, University of Miami

Beth Van Hoesen
Peony
1976
aquatint, etching and drypoint
New Britain Museum of American Art, Connecticut

Harold Altman
Paths, Buttes-Chaumont
1976
color etching
Knoxville Museum of Art, Tennessee

Kjell Anderson
Still Life
1976
oil on canvas
Moderna Museet, Stockholm

James Brooks
Hover
1976
acrylic on canvas
Portland Museum of Art, Maine

Roger Brown
Museum without Ceiling
1976
oil on canvas
Art Institute of Chicago

Christo (Christo Javacheff)
Wrapped Monument to Cristobal Colon -
Project for Barcelona

1976
collage, crayon and graphite on board
Lowe Art Museum, University of Miami

Louise Nevelson
Untitled
1976
painted wood and paper
Walker Art Center, Minneapolis

Graham Sutherland
Le Tour des Oiseaux
1976
lithograph
Lowe Art Museum, University of Miami

June Harwood
A-2 (Emergence Series)
1976
acrylic on canvas
Los Angeles County Museum of Art

Roy Lichtenstein
The Violin
1976
oil on canvas
Denver Art Museum

Robert Rauschenberg
Artist's Rights Today
1976
lithograph
Blanton Museum of Art, Austin, Texas

Pieter Stoop
Untitled
1976
oil on canvas
Rijksmuseum, Twenthe

Robert Indiana
The Golden Future of America
1976
screenprint (poster)
Dallas Museum of Art

from Memorial for the City

                                        II
Alone in a room Pope Gregory whispered his name
     While the Emperor shone on a centreless world
From wherever he happened to be; the New City rose
     Upon their opposition, the yes and no
Of a rival allegiance; the sword, the local lord
     Were not all; there was home and Rome;
Fear of the stranger was lost on the way to the shrine.

The facts, the acts of the City bore a double meaning:
     Limbs became hymns; embraces expressed in jest
A more permanent tie; infidel faces replaced
     The family foe in the choleric's nightmare;
The children of water parodied in their postures
     The infinite patience of heaven,
Those born under Saturn felt the gloom of the day of doom.

Scribes and innkeepers prospered; suspicious tribes combined
     To rescue Jerusalem from a dull god,
And disciplined logicians fought to recover thought
     From the eccentricities of the private brain
For the Sane City; framed in her windows, orchards, ports,
     Wild beasts, deep rivers and dry rocks
Lay nursed on the smile of a merciful Madonna.

In a sandy province Luther denounced as obscene
     The machine that so smoothly forgave and saved
If paid; he announced to the Sinful City a grinning gap
     No rite could cross; he abased her before the Grace:
Henceforth division was also to be her condition,
     Her conclusions were to include doubt,
Her loves were to bear with her fear; insecure, she endured.

Saints tamed, poets acclaimed the raging herod of the will;
     The groundlings wept as on a secular stage
The grand and the bad went to ruin in thundering verse;
     Sundered by reason and treason the City
Found invisible ground for concord in measured sound,
     While wood and stone learned the shameless
Games of man, to flatter, to show off, be pompous, to romp.

Nature was put to the question in the Prince's name;
     She confessed, what he wished to hear, that she had no soul;
Between his scaffold and her coldness the restrained style,
     The ironic smile became the worldly and devout,
Civility a city grown rich: in his own snob way
     The unarmed gentleman did his job
As a judge to her children, as a father to her forests.

In a national capital Mirabeau and his set
     Attacked mystery, the packed galleries roared
And history marched to the drums of a clear idea,
     The aim of the Rational City, quick to admire,
Quick to tire: she used up Napoleon and threw him away;
     Her pallid affected heroes
Began their hectic quest for the prelapsarian man.

The deserts were dangerous, the waters rough, their clothes
     Absurd but, changing their Beatrices often,
Sleeping little, they pushed on, raised the flag of the Word
     Upon lawless spots denied or forgotten
By the fear or the pride of the Glittering City;
     Guided by hated parental shades,
They invaded and harrowed the hell of her natural self.

Chimeras mauled them, they wasted away with the spleen,
     Suicide picked them off, sunk off Cape Contemplation,
Lost on the Tosspot Seas, wrecked on the Gibbering Isles
     Or trapped in the ice of despair at the Soul's Pole,
They died, unfinished, alone; but now the forbidden,
     The hidden, the wild outside were known:
Faithful without faith, they died for the Conscious City.

– W.H. Auden (1949)