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| Henry Edward Tidmarsh Waiting for the Procession, Manchester 1893-94 drawing Manchester Art Gallery |
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| Henry Edward Tidmarsh Terrace Walk, Alexandra Park, Manchester 1893-94 drawing Manchester Art Gallery |
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| Henry Edward Tidmarsh Designing Room, Municipal School of Art, Manchester 1893-94 drawing Manchester Art Gallery |
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| Henry Edward Tidmarsh Chemical Laboratory, Manchester Grammar School 1893-94 watercolor and gouache on paper Manchester Art Gallery |
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| Jusepe de Ribera Baptism of Christ 1643 oil on canvas Musée des Beaux-Arts de Nancy |
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| Jusepe de Ribera Martyrdom of St Bartholomew 1634 oil on canvas National Gallery of Art, Washington DC |
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| Jusepe de Ribera St Roch 1631 oil on canvas Museo del Prado, Madrid |
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| Jusepe de Ribera St Thomas ca. 1609-1610 oil on canvas Museum of Fine Arts, Budapest |
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| Antoine Claudet Hamilton Sisters 1856 hand-colored daguerreotype (stereograph) National Gallery of Canada, Ottawa |
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| Antoine Claudet Hamilton Children 1856 hand-colored daguerreotype (stereograph) National Gallery of Canada, Ottawa |
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| Antoine Claudet Eliza Hamilton 1856 hand-colored daguerreotype (stereograph) National Gallery of Canada, Ottawa |
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| Antoine Claudet Hamilton Sister with Mother 1856 hand-colored daguerreotype (stereograph) National Gallery of Canada, Ottawa |
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| Édouard Vuillard Le Jardin des Tuileries ca. 1900 oil on canvas Menil Collection, Houston |
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| Édouard Vuillard Madame Lucy Hessel working at a Dressmaker's Table 1908 oil on board Phoenix Art Museum, Arizona |
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| Édouard Vuillard Seated Woman with Cup of Coffee 1893 oil and tempera on card Fitzwilliam Museum, Cambridge |
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| Édouard Vuillard Woman with Red Scarf ca. 1900 oil on board Von der Heydt Museum, Wuppertal |
from Part One of The Age of Anxiety
Malin said:
But the new barbarian is no uncouth
Desert-dweller; he does not emerge
From fir forests; factories bred him,
Corporate companies, college towns
Mothered his mind, and many journals
Backed his beliefs. He was born here. The
Bravura of revolvers in vogue now
And the cult of death are quite at home
Inside the city.
Quant said:
The soldiers' fear
And the shots will cease in a short while,
More ruined regions surrender to less,
Prominent persons be put to death
For mass-murder, and what moves us now,
The defence of friends against foes' hate,
Be over for ever. Then, after that,
What shall we will? Why shall we practise
Vice or virtue when victory comes?
The celebrations are suddenly hushed,
The coarse crowds uncomfortably still,
For, arm-in-arm now, behind the festooned
Conqueror's car there come his heirs, the
Public hangman, the private wastrel.
– W.H. Auden (1944-46)








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