The side table above – with heads and faces emerging in profusion from arabesques of carved giltwood – was created about 1720 in Rome. Glory undiminished, it now lives in California at the Getty, sharing space with equally sumptuous but more restrained groupings of mostly French pieces, including the map case immediately below.
J. Paul Getty enacted on the largest scale and for the last time what the fiction of Henry James had described a couple of generations earlier – the conquest and appropriation of European high culture by American money. Later generations of Americans would wield decreasing amounts of power and would feel far less reverence for the European past.