Thursday, June 21, 2018

Dance Artifacts of the Eighteenth Century

William Blake
Oberon, Titania, and Puck, with Fairies Dancing
ca. 1786
watercolor
Tate Gallery

Jonas Åkerström
A Frieze of Dancing Antique Figures in a Bacchanal
ca. 1788-95
drawing (made in Rome)
Metropolitan Museum of Art, New York

Francesco Zuccarelli
Three Dancing Nymphs and a Satyr
1788
drawing
Metropolitan Museum of Art, New York

attributed to Antonio Zucchi
Three Dancing Nymphs and Reclining Cupid in a Landscape
ca. 1772
oil on paper, mounted on plaster ceiling-roundel
Metropolitan Museum of Art, New York

Léonard Defrance
The Rope Dance
ca. 1780
oil on panel
Metropolitan Museum of Art, New York

The Lion Tamer Remembers

look at me and be color
later
your laugh eats sun for hares for chameleons
squeeze my body between two thick lines let famine be light
sleep sleep do you see we are heavy blue antelope on a glacier ear in the stones lovely frontiers – hear the stone
old fisherman cold tall on new letter learn the girls in iron wire and sugar turn a long time the bottles are tall like white parasols listen roll roll red
in the colonies
memory odor of a clean pharmacy old servant
green horse and cereals
horn cry
flute
baggage obscure menageries
bite saw do you want
horizontal to see

– Tristan Tzara, translated from French by Mary Ann Caws

James Barry
A Grecian Harvest Home
1792
etching, engraving
Tate Gallery

Giovanni Domenico Ferretti
Sketch for Ceiling Decoration with Mars, Minerva, and Dancing Satyr
ca. 1720-30
drawing
Metropolitan Museum of Art, New York

Philippe-Jacques de Loutherbourg
Dancing Violinist and Dancing Dogs
ca. 1755-71
etching
Metropolitan Museum of Art, New York

I Don't Speak

I don't speak for myself,
I don't speak in my name,
it's not a question of me.

I'm nothing but
a little life, a lot of pride.

I speak for all that is,
in the name of all that has form and no form.
It's a question of all that weighs
and all that's weightless.

I know that everything that surrounds me
longs to go further, to live more intensely,
to die more fully, if dying
is what must be done.

Don't think you hear inside you
the words and the voice of Guillevic.

It's the voice of the present moving towards the future,
the voice of the present sounding from under the skin.

– Eugène Guillevic, translated by Denise Levertov

Jean-Honoré Fragonard
The Satyrs' Dance
1763
etching
Metropolitan Museum of Art, New York

William Hogarth
The Dance
ca. 1745
oil on canvas (sketch for finished composition)
Tate Gallery

Matthew Darly (publisher)
Boarding School Education, or, the Frenchifiied Young Lady
1771
hand-colored etching
British Museum

Laurentius Russinger for Höchst Manufactory
The Dancing Lesson
ca. 1760
porcelain
Metropolitan Museum of Art, New York

Franz Anton Bustelli for Nymphenburg Porcelain Manufactory
Harlequin and Harlequina
ca. 1760
porcelain
Metropolitan Museum of Art, New York

Johann Friedrich Lück for Höchst Manufactory
Figure of Female Dancer
ca. 1758
porcelain
Metropolitan Museum of Art, New York

– translated poems from The Yale Anthology of Twentieth-Century French Poetry, edited by Mary Ann Caws (2004)