Sunday, June 3, 2018

James Gillray Looks at Performers and Politicians

James Gillray
No Flower that Blows is like this Rose
(Mme Rose Didelot, opera-dancer)
1796
hand-colored etching
British Museum

James Gillray
Modern Grace, or, The Operatical Finale to the Ballet of Alonzo e Caro
(Charles-Louis Didelot dancing between Mme Rose Didelot and Rose Parisot)
1796
hand-colored etching
British Museum

James Gillray
A Country Concert, or, An Evening's Entertainment in Sussex
1798
hand-colored etching
British Museum

James Gillray
Pizarro contemplating over the product of his new Peruvian Mine
(Richard Brinsley Sheridan gloating over income from his stage-melodrama Pizarro)
1799
hand-colored etching
British Museum

James Gillray
A Bravura Air, from Mandane
(caricature of Mrs Billington onstage at Covent Garden)
1801
hand-colored etching
British Museum

James Gillray
La Walse - after a French print published in Le Bon Genre
1810
hand-colored etching
British Museum

Graves Are Made To Waltz On

Tunes fainter on winds waywarder than others
When from the frozen swamp the evil crystals glow,
Lure us to our disowned deep-buried banished brothers,
Our dark-souled scowling brothers,
Who pound warm fists against their jails of snow.

Waltz with decorum – one step lax or lacking,
One slip on our own graves of many deaths ago,
Betrays us:  ever nearer the tune of tough ice cracking,
The hungry snarl of cracking,
And hands reach out to drag us down below.

– Peter Viereck (1940)

James Gillray
An Excrescence, a Fungus, alias, a Toadstool upon a Dunghill
(caricature of William Pitt the Younger)
1791
hand-colored etching
British Museum

James Gillray
Political Ravishment, or, The Old Lady of Threadneedle Street in Danger!
(caricature of William Pitt the Younger assaulting the Bank of England)
1797
hand-colored etching
British Museum

James Gillray
The Sleep-walker
(caricature of William Pitt the Younger)
1795
hand-colored etching
British Museum

James Gillray
Blood on Thunder fording the Red Sea
(Warren Hastings with money-bags atop Chancellor Thurlow who presided at his impeachment trial)
1788
hand-colored etching
British Museum

James Gillray
The Great South Sea Caterpillar, transform'd into a Bath Butterfly
(Sir Joseph Banks receiving the Order of the Bath for his South Sea expedition)
1795
hand-colored etching
British Museum

It includes the butterfly and the rat, the shit
drying to chalk, trees
falling at an angle, taking those moist
and buried rootballs with them

into deadly air. But someone will
tell you the butterfly's the happy ending
of every dirge-singing worm, the rat
a river rat come up from a shimmering depth,

the shit passed purely into scat one read
for a source, the creature that shadowed it one
longish minute. And trees, of course they
wanted to fall. It was their time or something

equally sonorous. And wind too knows its
mindless little whirlpool's not for nothing, not
nothing – that pitch and rage stopped. How else
does the sparrow's neck break.

– Marianne Boruch (2008)

James Gillray
The Twin Stars, Castor & Pollux
(George Barclay and Charles Sturt, rich brewers with seats in Parliament)
1799
hand-colored etching
British Museum

James Gillray
Hercules Reposing
(caricature of Charles James Fox in unwilling retirement)
1799
hand-colored etching
British Museum

James Gillray
Broad-Bottom Drones storming the Hive - Wasps, Hornets, and Bumble-Bees joining in the Attack
(satire on perpetual struggle between those in and out of political office)
1808
hand-colored etching
British Museum

– poems from the archives of Poetry (Chicago)