Friday, June 1, 2018

Early 19th-century Stage Designs by Alessandro Sanquirico

Alessandro Sanquirico
Ingresso a Pompei della parte di Porta Nolana
Stage-design for opera L'Ultima giorno di Pompei at La Scala, Milan
ca. 1832
hand-colored aquatint
Getty Museum, Los Angeles

Alessandro Sanquirico
Atrio della casa di Salusto
Stage-design for opera L'Ultima giorno di Pompei at La Scala, Milan
ca. 1832
hand-colored aquatint
Getty Museum, Los Angeles

Alessandro Sanquirico
Ingresso all'Anfiteatro
Stage-design for opera L'Ultima giorno di Pompei at La Scala, Milan
ca. 1832
hand-colored aquatint
Getty Museum, Los Angeles

Alessandro Sanquirico (1777-1849) – "As opera reached a height of popularity and innovation in early 19th-century Italy, stage sets and scenery were increasingly viewed as art forms unto themselves.  Enterprising artists and designers competed to create the most lavish, evocative, and visually engaging opera settings, and were so successful that their stage sets often competed with the performances themselves for an audience's attention and appreciation.  Public criticism of various operas often revolved as much around the quality of the set designs as the beauty of the music, and audiences became increasingly discerning about the visual aspects of grand performances.  Reflecting this tendency, Alessandro Sanquirico, a Milanese artist, was inspired to document the most striking sets at Italy's most celebrated opera house, La Scala in Milan.  Sanquirico's vividly colored, masterfully drafter aquatint engravings capture the sumptuousness and sheer spectacle of these extravagant sets, often including costumed singers . . ."

– text from Arader Galleries

Alessandro Sanquirico
Interno della Basilica in Pompei
Stage-design for opera L'Ultima giorno di Pompei at La Scala, Milan
ca. 1832
hand-colored aquatint
Getty Museum, Los Angeles

Alessandro Sanquirico
Giardino della casa di Diomede presso alle mura di Pompei
Stage-design for opera L'Ultima giorno di Pompei at La Scala, Milan
ca. 1832
hand-colored aquatint
Getty Museum, Los Angeles

Alessandro Sanquirico
Foro di Pompei festivamente adorno
Stage-design for opera L'Ultima giorno di Pompei at La Scala, Milan
ca. 1832
hand-colored aquatint
Getty Museum, Los Angeles

Alessandro Sanquirico
Sotterraneo destinato al supplizio de'rei
Stage-design for opera L'Ultima giorno di Pompei at La Scala, Milan
ca. 1832
hand-colored aquatint
Getty Museum, Los Angeles

Alessandro Sanquirico
Apartamento nella casa del console Murena
Stage-design for opera La Vestale at La Scala, Milan
ca. 1832
hand-colored aquatint
Getty Museum, Los Angeles

Alessandro Sanquirico
Atrio del tempio di Giove Stratore
Stage-design for opera La Clemenza di Tito at La Scala, Milan
ca. 1832
hand-colored aquatint
Getty Museum, Los Angeles

Alessandro Sanquirico
Camera nella reggia di Tito
Stage-design for opera La Clemenza di Tito at La Scala, Milan
ca. 1832
hand-colored aquatint
Getty Museum, Los Angeles

Alessandro Sanquirico
Interno d'una Piramide Sepolcrale
Stage-design for tragic ballet Psammi
1817
hand-colored aquatint
Victoria & Albert Museum

Alessandro Sanquirico
Interno dell'abitazione di Norma
Stage-design for opera Norma
1831
lithograph
Museum of Fine Arts, Boston

Alessandro Sanquirico
Parte remota attigua al Mausoleo di Nino
Stage-design for opera La Semiramide
1824
lithograph
Museum of Fine Arts, Boston

Alessandro Sanquirico
Esterno del Castello della Principessa Elzilda
Stage-design for opera Gli Arabi nelle Gallie
1827
lithograph
Museum of Fine Arts, Boston

Alessandro Sanquirico
Vecchio Bosco Foltissimo
Stage-design for opera Amazilia
1826
lithograph
Museum of Fine Arts, Boston