Friday, September 13, 2019

Giovanni Antonio Bazzi, called Il Sodoma (1477-1549) - II

Sodoma
Holy Family with St John the Baptist
ca. 1520-30
oil on panel
Kunsthistorisches Museum, Vienna

Sodoma
St Sebastian
1525
oil on canvas
Galleria degli Uffizi, Florence

Sodoma
The Three Fates
ca. 1525
oil on canvas
Palazzo Barberini, Rome

Sodoma
Holy Family with St John the Baptist
ca. 1525-27
oil on panel
Fondazione Musei Senesi

Sodoma
Execution of Niccolò di Toldo
1526
fresco
Basilica Cateriniana San Domenico, Siena

"Until about 1530 Sodoma's pictures show diverse tendencies in style, which reflect his response to influences that seem to depend more on accidents of contact than on a principle of choice – e.g. Pinturicchio, the early Sarto, and the recent Michelangelo.  But his diversity of manners does not exclude the emergence at the same time of an increasingly apparent strain of personal expression, in which there is a marked sharpening of emotional content and a complication of effects of form.  Rhythmic patterns become more precise, complex, and mobile, contrasts of chiaroscuro become more charged, and psychological sensation is both more inward and acute.  His feelings and his devices of form come into focus, and Sodoma's style rises on occasion to a febrility and poignance like those in contemporary Florentine Mannerism.  His quality of feeling and his vocabulary of form resemble somewhat those of Beccafumi's pictures of the previous decade, and seem in part due to his example.  Despite an extended stay in Florence, in 1528, Sodoma seems to have responded little to contemporary events there; his stimulus to a new direction lay rather in the local, Sienese, example.  Sodoma's conversion to Mannerism was never more than tentative, yet during the thirties he acquired more of the outward indices of the style – still, it would appear, mostly from Beccafumi: a tendency to elongated forms and an aspiration to an elegance which, as Sodoma expressed it, remains provincial." 

– S.J. Freedberg from Painting in Italy - 1500 to 1600 in the Pelican History of Art series (London, 1971)

Sodoma
Holy Family with St Elizabeth and St John the Baptist
ca. 1525-30
oil on panel
Walters Art Museum, Baltimore

Sodoma
Madonna and Child
with St Peter, St Catherine of Siena and Carthusian Donor

ca. 1525-35
oil on panel
National Gallery, London

Sodoma
Holy Family with St John the Baptist
ca. 1530
oil on panel
Palazzo Chigi-Zondadari, San Quirico d'Orcia

Sodoma
Ecce Homo
ca. 1540-49
oil on canvas
Metropolitan Museum of Art, New York

Sodoma
Crucifixion
with the Virgin and St John the Evangelist

before 1549
oil on panel
Pushkin Museum, Moscow

Sodoma
Pietà
1533
oil on panel, transferred to canvas
private collection

Sodoma
Pietà
ca. 1540
oil on panel
Galleria Borghese, Rome

Sodoma
Allegory of Celestial Love
ca. 1530-45
oil on canvas
Palazzo Chigi-Saracini, Siena
 
Sodoma
Birth of the Virgin
ca. 1545
oil on panel
Palazzo Chigi-Zondadari, San Quirico d'Orcia