Sunday, September 22, 2019

Pier Jacopo Alari de Bonacolsi, called Antico (ca. 1455-1528)

Antico
Bust of Bacchus
ca. 1520-22
bronze
Kunsthistorisches Museum, Vienna

Antico
Bust of Ariadne
ca. 1520-22
bronze
Kunsthistorisches Museum, Vienna

Antico
Apollo Belvedere
ca. 1490
bronze
Liebighaus, Frankfurt

Antico
Venus Felix
ca. 1510
bronze
Kunsthistorisches Museum, Vienna

Antico
Hercules and the Ceyrneian Hind
ca. 1496
bronze medal
Kunsthistorisches Museum, Vienna

"The sculptor Pier Jacopo Alari de Bonacolsi (ca. 1455-1528) acquired the nickname Antico (the antique one) for his knowledge of ancient art.  Born in or near Mantua, he probably trained as a goldsmith.  In his youth Antico traveled to Rome, where masterpieces of the distant past were coming to light in excavations.  The Renaissance passion for antiquity fostered the collecting of classical Greek and Roman art.  Antico satisfied this demand by pioneering new genres of sculpture: exquisite bronze statuettes that were reductions of monumental ancient marble statuary, and life-size busts in the classical style.  Antico's oeuvre, which includes medals and relief, as well as busts and statuettes, is remarkable for its fidelity to the spirit of the classical past, as well as for its innovative departures from it.  His small-scale bronzes restore heads and limbs to figures whose monumental ancient prototypes had lost them and feature embellishments such as rich, black patinas, gilding, and silvering.  Antico endowed his works with a precious jewel-like quality suited to the sophisticated tastes of his patrons.  Antico spent his career as court sculptor to members of the Gonzaga family, princely rulers of Mantua, who promoted a culture of splendor to enhance their prestige.  The artist's opulent bronzes found great favor with the Gonzagas, who displayed them alongside ancient works in their collections.  Today, Antico's sculptures are recognized for their role in establishing a canon of classical art and for their technical refinement, which conceals the sculptor's labors behind seamlessly graceful forms."

– from curator's notes to Antico: The Golden Age of Renaissance Bronzes, an exhibition mounted in 2011 at the National Gallery of Art in Washington DC and in 2012 at the Frick Collection in New York

Antico
Pan
ca. 1519
bronze
Kunsthistorisches Museum, Vienna

Antico
Mercury
ca. 1520
bronze
Kunsthistorisches Museum, Vienna

Antico
Atropos
ca. 1519
bronze
Kunsthistorisches Museum, Vienna

Antico
Hercules and Antaeus
ca. 1519
bronze
Kunsthistorisches Museum, Vienna

Antico
Satyr
ca. 1500-1525
bronze
Metropolitan Museum of Art, New York

Antico
Satyr (detail)
ca. 1500-1525
bronze
Metropolitan Museum of Art, New York

Antico
Bust of a Young Man
ca. 1520
bronze
Getty Museum, Los Angeles

Antico
Paris with Golden Apple
ca. 1500-1505
bronze
Metropolitan Museum of Art, New York

Antico
The Spinario
ca. 1496-1501
bronze
Metropolitan Museum of Art, New York

Antico
The Spinario
ca. 1496-1501
bronze
Metropolitan Museum of Art, New York