 |
| Emil Carlsen Study in Grey 1906 oil on canvas Dallas Museum of Art |
 |
| Waldemar Deonna Italian Youth, Villa Falconieri, Frascati 1906 gelatin bromide print Cabinet d'Arts Graphiques des Musées d'Art et d'Histoire, Genève |
 |
| André Derain Fishing Boats at l'Estaque 1906 oil on canvas Dallas Museum of Art |
-Study-of-Woman-1906-photogravure-Kunstbibliothek-Staatliche-Museen-zu-Berlin.jpg) |
| Minya Dièz-Dürhkoop Study of a Woman 1906 photogravure Kunstbibliothek, Staatliche Museen zu Berlin |
 |
| Léon Frédéric Sunday Morning before Mass 1906 oil on canvas Museum of Fine Arts, Ghent |
-F%C3%AAte-des-Filets-Bleus-Concarneau-1906-lithograph-(poster)-Kunstbibliothek-Staatliche-Museen-zu-Berlin.jpg) |
| Achille Granchi-Taylor Fête des Filets Bleus, Concarneau 1906 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
 |
| Childe Hassam Duck Island 1906 oil on canvas Dallas Museum of Art |
 |
| Edwin Hale Lincoln Malva rotundifolia 1906 platinum print Clark Art Institute, Williamstown, Massachusetts |
-Still-Life-with-Goldfish-Bowl-1906-oil-on-cardboard-Von-der-Heydt-Museum-Wuppertal.jpg) |
| Paula Modersohn-Becker Still Life with Goldfish Bowl 1906 oil on board Von der Heydt Museum, Wuppertal |
-1906-oil-on-canvas-Van-Gogh-Museum-Amsterdam.jpg) |
| Edvard Munch Portrait of physicist Felix Auerbach 1906 oil on canvas Van Gogh Museum, Amsterdam |
-Graphische-Sammlung-Zentralbibliothek-Z%C3%BCrich.jpg) |
| Rudolf Münger Coat of Arms - Küpfer of Bern 1906 watercolor on paper (study for stained glass) Graphische Sammlung, Zentralbibliothek Zürich |
 |
| Pablo Picasso La Jeune Fille à la Chèvre 1906 oil on canvas Barnes Foundation, Philadelphia |
-Adam-and-Eve-1906-stone-relief-Mus%C3%A9es-d'Art-et-d'Histoire-Gen%C3%A8ve.jpeg) |
| Rodo (August de Niederhäusern) Adam and Eve 1906 stone Musées d'Art et d'Histoire, Genève |
 |
| Théo van Rysselberghe Harbor of Veere 1906 oil on canvas Kröller-Müller Museum, Otterlo, Netherlands |
 |
| Jan Sluijters Women Kissing 1906 oil on canvas Van Gogh Museum, Amsterdam |
-Amon-Carter-Museum-Fort-Worth-Texas.jpg) |
| Edward Steichen (designer) Photo-Secession 1906 rotogravure (poster) Amon Carter Museum, Fort Worth, Texas |
from St. Armorer's Church from the Outside
St. Armorer's was once an immense success.
It rose loftily and stood massively; and to lie
In its church-yard, in the province of St. Armorer's,
Fixed one for good in geranium-colored day.
What is left has the foreign smell of plaster,
The closed-in smell of hay. A sumac grows
On the altar, growing toward the lights, inside.
Reverberations leak and lack among holes . . .
Its chapel rises from Terre Ensevelie,
An ember yes among its cindery noes,
His own: a chapel of breath, an appearance made
For a sign of meaning in the meaningless,
No radiance of dead blaze, but something seen
In a mystic eye, no sign of life but life,
Itself, the presence of the intelligible
In that which is created as its symbol.
It is like a new account of everything old,
Matisse of Vence and a great deal more than that,
A new-colored sun, say, that will soon change forms
And spread hallucinations on every leaf.
– Wallace Stevens (1954)