Thursday, February 28, 2019

Simone Cantarini (1612-1648) - Pesaro and Bologna

Simone Cantarini
Allegory of Painting
ca. 1620-30
oil on canvas
National Museum, Warsaw

Simone Cantarini
Holy Family with St John the Baptist offering Fruit
ca. 1632-48
oil on canvas
National Trust, Kedleston Hall, Derbyshire

Simone Cantarini after Annibale Carracci
Pietà
ca. 1640
oil on alabaster
El Escorial, Madrid

"Simone Cantarini was born in 1612 in Pesaro, in the Marches.  He began his artistic training quite young, probably 1623-25, in the studio of Giovanni Giacomo Pandolfi, a painter of religious works who combined the local naturalism with the Mannerist style of the late sixteenth century.  After a brief trip to Venice, Cantarini moved to the shop of Claudio Ridolfi, a student of Paolo Veronese.  From Ridolfi he received training in the Venetian manner that was also a strong current in local tradition, as well as a deep appreciation for the work of Federico Barocci, with whom Ridolfi had worked in Urbino.  In about 1629 Ridolfi left Pesaro, forcing Cantarini to continue his studies on his own.  In addition to prints by the Carracci, the young artist turned his attention increasingly to Barocci, and also to the Caravaggesque yet very personal art of Orazio Gentileschi.  . . .  As Malvasia recounts, the most significant event of Cantarini's youth was the arrival, probably in 1632, of Guido  Reni's Madonna and Child with Saints Thomas and Jerome in Pesaro Cathedral.  . . .  The young artist quickly assimilated Guido's style and soon received important commissions.  . . .  Upon his arrival in Bologna, probably in 1634 or 1635, Cantarini presented himself in Guido's studio as a painter of little training.  His abilities soon became evident.  Although Guido recognized that Cantarini was already a fully formed painter, he made the young man his most trusted pupil and secured him many commissions.  Eventually, however, Cantarini's infamous pride and unbridled tongue came to the fore and alienated the master and the entire studio.  . . .  In 1639 Cantarini is documented at his sister's wedding in Pesaro.  It must have been shortly thereafter, in 1640 or 1641, that he made a brief trip to Rome.  Following Guido's death in 1642, Cantarini returned to Bologna, where he maintained a successful studio until his death in 1648 following a stay in Mantua.  His behavior and criticisms of the Gonzaga collection created a scandal and it is suspected that he was poisoned by an angry rival."

–  from the artist's biography in the Systematic Catalogue of the National Gallery of Art, Washington DC

Simone Cantarini
Risen Christ
ca. 1644-48
oil on canvas
Museum of Fine Arts, Boston

Simone Cantarini
Archangel Michael with Hagar and Ishmael in the Wilderness
before 1648
oil on canvas
Musée des Beaux-Arts de Pau

Simone Cantarini
Rest on the Flight into Egypt
ca. 1640
oil on canvas
Pinacoteca di Brera, Milan

Simone Cantarini
St John the Baptist in the Wilderness
ca. 1640
oil on copper
National Trust, Attingham Park, Shropshire

Simone Cantarini
Virgin of the Rose
before 1648
oil on canvas
Pinacoteca San Domenico, Fano

Simone Cantarini
Sibyl Reading
ca. 1630-35
oil on canvas
Banca Popolare dell' Adriatico, Pesaro

attributed to Simone Cantarini
Noli me tangere
before 1648
oil on canvas
Schleissheim State Gallery, Bavaria

attributed to Simone Cantarini
Doubting Thomas
before 1648
oil on canvas
Schleissheim State Gallery, Bavaria

attributed to Simone Cantarini
Head of Bearded Old Man
before 1648
oil on canvas
National Trust, Saltram House, Devon

Simone Cantarini
St Luke painting the Virgin
before 1648
oil on canvas
private collection

Simone Cantarini
The Holy Trinity
ca. 1640-48
oil on canvas (unfinished)
National Galleries of Scotland

Simone Cantarini
Holy Family
ca. 1645
oil on canvas
Museo del Prado, Madrid