attributed to Alessandro Tiarini The Visitation ca. 1599-1606 oil on copper National Trust, Kedleston Hall, Derbyshire |
Alessandro Tiarini Rinaldo and Armida ca. 1600-1625 oil on canvas Palais des Beaux-Arts de Lille |
Alessandro Tiarini St Peter freed from Prison by an Angel ca. 1605-1606 oil on canvas Chiesa dei Santi Stefano e Niccolao, Pescia |
Alessandro Tiarini Raising of the Cross ca. 1622 drawing Metropolitan Museum of Art, New York |
Alessandro Tiarini Raising of the Cross ca. 1622 oil on canvas Palazzo dei Musei, Modena |
"After a brief Florentine phase in his early youth, Alessandro Tiarini returned to Bologna, where he soon developed a characteristic style of his own. . . . Since he was hardly impeded by theoretical considerations, little is to be found here of the classicism practised at this moment by his compatriots in Rome. While the solidity of his figures and their studied gestures reveal his education in the Carracci school, his 'painterly' approach to his subject proves him a close follower of Lodovico. . . . During the next years he intensified this manner in impressive gravity. . . . According to Malvasia, he was deeply impressed by Caravaggio, and a version of the latter's Incredulity of St. Thomas, at the time in Bologna, was gleefully copied by him. In the twenties Tiarini uses a lighter range of colours; his style becomes more rhetorical and less intense, and simultaneously an interest in Veronese and Pordenone is noticeable. His latest work, under the influence of Domenichino and above all Reni, hardly bear testimony to his promising beginnings."
– Rudolf Wittkower, Art and Architecture in Italy 1600-1750, originally published in 1958, revised by Joseph Connors and Jennifer Montagu and reissued by Yale University Press in 1999
Alessandro Tiarini Repentance of St Joseph ca. 1617-19 oil on canvas Musée du Louvre |
Alessandro Tiarini Half-length Figure from the back (study for Angel in fresco) ca. 1627 drawing British Museum |
Alessandro Tiarini Virgin and sleeping Christ Child with Angels ca. 1625-30 oil on canvas Museo di Capodimonte, Naples |
Alessandro Tiarini Virgin and Child enthroned, with St Charles Borromeo and other Saints (study for altarpiece) ca. 1610-15 drawing Minneapolis Institute of Art |
Alessandro Tiarini Jael and Sisera ca. 1628 oil on canvas Musei Civici di Reggio Emilia |
Alessandro Tiarini Figure-study before 1668 drawing Metropolitan Museum of Art, New York |
Alessandro Tiarini Christ at the Column before 1668 oil on canvas Santuario della Santa Casa, Loreto |
Alessandro Tiarini Ecce Homo before 1668 oil on canvas Zanasi Foundation, Modena |
Alessandro Tiarini Friar praying before 1668 drawing National Library of Brazil, Rio de Janeiro |