Monday, June 24, 2019

Nikolaus Pevsner on Art Theory in 17th-century France

Jean Lepautre
Title Page
Livre d'Académie pour apprendre à bien dessigner

ca. 1633-81
etching
British Museum

"No epoch, this is well known, has had so unswerving a faith in clear, mathematically provable rules and in arguments throughout accessible to reason as the golden age of Absolutism, the epoch of Corneille, of Spinoza, of Boileau.  One passage at least must be quoted to demonstrate the expression of this faith in the theory of art.  Fréart de Chambray in his Idée de la Perfection de la Peinture (1662) calls Sçavants, i.e. real art experts, only those who "examinent et jugent les choses à la manière des Géomètres."  In order to facilitate such exact judgments on a work of art, the usual procedure in the academic lectures as well as the contemporary books was to analyse a picture – it was usually one from the royal collections – according to various categories to be discussed one after another.  . . .  Fréart's categories are invention, proportion, colour, expression and composition.  Lebrun analysed Poussin's pictures in his academic lectures according to very similar categories.  The final stage of this system is reach by Testelin, the secretary of the academy, in his Tables des Préceptes published in 1680, in which he briefly sums up all the rules laid down by the academy, and by Roger de Piles in his Balance des Peintres of 1708, the notorious book, in which marks from 0 - 80 are given to all famous painters according to the value of their composition, expression, design (drawing), and colour."

– Nikolaus Pevsner, from Academies of Art, Past and Present (Cambridge University Press, 1940)

In a footnote Pevsner supplies a ranked list of point-scores, as awarded by Roger de Piles, which reads as follows –

65   Raphael
       Rubens
58   Carracci
56   Domenichino
       Lebrun
53   Poussin
51   Titian
50   Rembrandt
49   G. Romano
       Tintoretto
       Le Sueur
       Leonardo
48   Cortona 
       Holbein
45   Sarto
       Teniers
43   Correggio
42   Guercino
41   Palma Giovane
39   Giorgione
37   Michelangelo
       Parmigianino
36   Dürer
31   Bassano
30   Perugino
27   Palma Vecchio
24   Giovanni Bellini