Friday, June 28, 2019

Drawings (Eighteenth-Century Figures and Settings)

Francesco Lorenzi
Drapery Study
before 1787
drawing
Minneapolis Institute of Art

Jean-Baptiste Deshays
Half-figure of a Man
before 1765
drawing
Metropolitan Museum of Art, New York

Francesco Goya
Draped Model from the back
ca. 1771
drawing
Museo del Prado, Madrid

Jacques-Louis David
Figure-study for The Death of Socrates
ca. 1786-87
drawing
Metropolitan Museum of Art, New York

Consider Socrates

                               recumbent
on his cot, draped in a freshly
laundered toga, beard shampooed
and fluffed, the cup of hemlock
in his hand – how, certainly,
the night before, he'd sorted
through his aphorisms, taking
care to jettison any less-than-
cogent thoughts.

                               We all say
we want it to be sudden: a light-
ning bolt to the brain, a stutter
in the arteries, then sleep, or
something like it – our hands still
clutching the rake or an atlas
turned to a map of Afghanistan,
but wouldn't it be better to know?
A three-month

                                         warning
would be nice;  you'd want to burn
those letters nestled in a shoebox
on the closet shelf, finish up
the pint of Seagram's hidden
in the desk's third drawer and
trash the butt-sprung underwear
a derelict would be ashamed
to wear

                        to any accident,
the way, before embarking on a trip
to Buffalo or Budapest, one feels
compelled to mend the toaster,
broken since last New Year's day
and polish up the silver candle-
sticks turned umber on the cupboard
shelf. Some sort

                                       of portent
would be helpful (nothing morbid
or alarming), an angel or your mother,
say, appearing in a dream to whisper
August second, or September tenth,
time enough to put your house
in perfect order before you take
your place among the tidy,
blameless dead.

– Miriam Vermilya (1998)

David Pierre Giottino Humbert de Superville
Académie
1789
drawing
Rijksmuseum, Amsterdam

Jean-Guillaume Moitte
Kneeling Draped Male Figure
1776
drawing
Metropolitan Museum of Art, New York

Mariano Salvador Maella
Académie
1759
drawing
Museo del Prado, Madrid

follower of Giuseppe Cades
Alexander the Great demonstrating his trust in Philip, his Physician
ca. 1790
drawing with watercolor
Wellcome Collection, London

Anonymous French Artist after Francesco Vanni
Body of St Catherine of Siena carried in Procession
18th century
drawing
Metropolitan Museum of Art, New York

Charles-Michel-Ange Challe
Equestrian Statue of Marcus Aurelius on the Campidoglio, Rome
before 1778
drawing
Harvard Art Museums

François Roettiers
Bacchanal
before 1742
drawing
Metropolitan Museum of Art, New York

Antonio Zucchi
Classical Landscape with Ruined Temple on a Hill and Female Figures below
before 1795
drawing
Art Institute of Chicago

Francesco Guardi
Architectural Fantasy - Figures on a Grand Staircase
before 1793
drawing
Metropolitan Museum of Art, New York

Francesco Guardi and Giacomo Guardi
Partly-ruined Colonnade with Figures
ca. 1780-90
drawing
Metropolitan Museum of Art, New York