Saturday, June 15, 2019

Renaissance Sketches for Devotional Projects

follower of Il Sodoma
St Sebastian
ca. 1500-1550
drawing
Metropolitan Museum of Art, New York

workshop of Pietro Perugino
Sleeping Disciples (recto)
ca. 1500
drawing
Royal Collection, Great Britain

workshop of Pietro Perugino
Sleeping Disciples (verso)
ca. 1500
drawing
Royal Collection, Great Britain

Cima da Conegliano
Enthroned Bishop between a King and another Bishop
ca. 1500
drawing
Royal Collection, Great Britain

attributed to Paris Bordone
Ecce Homo
ca. 1520
drawing
Royal Collection, Great Britain

attributed to Giorgio Gandini
Study of Angels
ca. 1523
drawing
Royal Collection, Great Britain

Polidoro da Caravaggio
Christ carried to the Tomb
ca. 1522
drawing
Royal Collection, Great Britain

A Dirge

Some one who hears the bugle neigh will know
How cold it is, when sentries die by starlight.

But none who love to hear the hammering drum
Will look, when the betrayer
Laughs in the desert like a broken monument,
Ringing his tongue in the red bell of his head,
Gesturing like a flag.

The air that quivered after the earthquake
(When God died like a thief)
Still plays the ancient forums like pianos;
The treacherous wind, lover of the demented,
Will harp forever in the haunted temples.

What speeches do the birds make
With their beaks, to the desolate dead?
And yet we love those carsick amphitheaters,
Nor hear our messenger come home from hell
With hands shot full of blood.

No one who loves the fleering fife, will feel
The light of morning stab his flesh,

But some who hear the trumpet's raving, in the ruined sky,
Will dread the burnished helmet of the sun
Whose anger goes before the King.

– Thomas Merton (1942)

Biagio Pupini
Mary Magdalene
ca. 1524
drawing
National Gallery of Art, Washington DC

Pordenone
Study for The Martyrdom of St Peter Martyr
ca. 1526-28
drawing
Getty Museum, Los Angeles

Correggio
Adam, Abraham and Isaac
(study for cupola fresco, Parma Cathedral)
ca. 1526-30
drawing
Royal Collection, Great Britain

Michelangelo
Lamentation over the Dead Christ
ca. 1530-35
drawing
British Museum

attributed to Baldassare Peruzzi
Adoration of the Shepherds
before 1536
drawing
Royal Collection, Great Britain

Rosso Fiorentino
Study of Three Figures for The Massacre of the Innocents
before 1540
drawing
Royal Collection, Great Britain

Perino del Vaga
St Paul recovering his Sight at the Hands of Ananias
(cartoon for the embroidery of a cope)
ca. 1540-45
drawing
Royal Collection, Great Britain