Robert Bird Spanish Gold 1964-65 acrylic, enamel and collage on board Laing Art Gallery, Newcastle-upon-Tyne |
Henry Mundy Dark Magnet ca. 1960-65 oil on board Victoria Art Gallery, Bath |
Roy Turner Durrant Inscape: Near Pogles' Wood 1969 oil on paper Tullie House Museum and Art Gallery, Carlisle, Cumbria |
Victor Pasmore Red Abstract No. 5 1960 oil on panel Bristol Museum and Art Gallery |
Sandra Earl Untitled 1995 oil on paper Nottingham Trent University |
A Pit – but Heaven over it –
And Heaven beside, and Heaven abroad;
And yet a Pit –
With Heaven over it.
To stir would be to slip –
To look would be to drop –
To dream – to sap the Prop
That holds my chances up.
Ah! Pit! With Heaven over it!
The depth is all my thought –
I dare not ask my feet –
'Twould start us where we sit
So straight you'd scarce suspect
It was a Pit – with fathoms under it
Its Circuit just the same
Whose Doom to whom
'Twould start them –
We – could tremble –
But since we got a Bomb –
And held it in our Bosom –
Nay – Hold it – it is calm –
– Emily Dickinson (1863)
Alexander Fraser Guild Street No. 4 1983 oil on canvas Grampian Hospitals Art Trust, Aberdeen, Scotland |
Paul Feiler Stresa, Italy 1953 oil on board Bristol Museum and Art Gallery |
Ian Cale Tooley's Chair 1993 oil on board Mercer Art Gallery, Harrogate, Yorkshire |
Terry Frost Terre Verte and White Figure 1959 oil on canvas The Hepworth, Wakefield, Yorkshire |
Louis le Brocquy Variety Rehearsal at the Olympia 1942 oil on board Ulster Museum, Belfast |
(Louis le Brocquy is an outlier in this group, not British, but Irish)
Ian McKeever Day Painting, 11 April 1999 1999 oil and acrylic on canvas Kirklees Museums and Galleries, Yorkshire |
Tony Morgan Vulnerability 1996 oil and acrylic on canvas Southbank Centre, London |
Ben Nicholson 1937 (painting) 1937 oil on canvas Scottish National Gallery of Modern Art, Edinburgh |
William Scott Orange, Black and White Composition 1953 oil on canvas Tate Britain |
John Wells Harbour Façade 1961 oil on board Ulster Museum, Belfast |