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Robert Bird Spanish Gold 1964-65 acrylic, enamel and collage on board Laing Art Gallery, Newcastle-upon-Tyne |
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Henry Mundy Dark Magnet ca. 1960-65 oil on board Victoria Art Gallery, Bath |
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Roy Turner Durrant Inscape: Near Pogles' Wood 1969 oil on paper Tullie House Museum and Art Gallery, Carlisle, Cumbria |
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Victor Pasmore Red Abstract No. 5 1960 oil on panel Bristol Museum and Art Gallery |
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Sandra Earl Untitled 1995 oil on paper Nottingham Trent University |
A Pit – but Heaven over it –
And Heaven beside, and Heaven abroad;
And yet a Pit –
With Heaven over it.
To stir would be to slip –
To look would be to drop –
To dream – to sap the Prop
That holds my chances up.
Ah! Pit! With Heaven over it!
The depth is all my thought –
I dare not ask my feet –
'Twould start us where we sit
So straight you'd scarce suspect
It was a Pit – with fathoms under it
Its Circuit just the same
Whose Doom to whom
'Twould start them –
We – could tremble –
But since we got a Bomb –
And held it in our Bosom –
Nay – Hold it – it is calm –
– Emily Dickinson (1863)
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Alexander Fraser Guild Street No. 4 1983 oil on canvas Grampian Hospitals Art Trust, Aberdeen, Scotland |
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Paul Feiler Stresa, Italy 1953 oil on board Bristol Museum and Art Gallery |
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Ian Cale Tooley's Chair 1993 oil on board Mercer Art Gallery, Harrogate, Yorkshire |
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Terry Frost Terre Verte and White Figure 1959 oil on canvas The Hepworth, Wakefield, Yorkshire |
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Louis le Brocquy Variety Rehearsal at the Olympia 1942 oil on board Ulster Museum, Belfast |
(Louis le Brocquy is an outlier in this group, not British, but Irish)
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Ian McKeever Day Painting, 11 April 1999 1999 oil and acrylic on canvas Kirklees Museums and Galleries, Yorkshire |
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Tony Morgan Vulnerability 1996 oil and acrylic on canvas Southbank Centre, London |
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Ben Nicholson 1937 (painting) 1937 oil on canvas Scottish National Gallery of Modern Art, Edinburgh |
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William Scott Orange, Black and White Composition 1953 oil on canvas Tate Britain |
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John Wells Harbour Façade 1961 oil on board Ulster Museum, Belfast |