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| Joseph Mallord William Turner Linlithgow Palace ca. 1807 oil on canvas Walker Art Gallery, Liverpool |
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| William Havell View near Rome 1828-29 oil on panel Reading Museum, Berkshire |
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| Richard Parkes Bonington Piazza San Marco, Venice 1828 oil on canvas (unfinished) Wallace Collection, London |
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| David Roberts Ruins of a Temple and an Amphitheatre 1832 oil on canvas Walker Art Gallery, Liverpool |
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| William James Blacklock The Terrace, Haddon Hall 1845 oil on canvas Tullie House Museum and Art Gallery, Carlisle, Cumbria |
The possibility – to pass
Without a moment's Bell –
Into Conjecture's presence
Is like a Face of Steel –
That suddenly looks into ours
With a metallic grin –
The Cordiality of Death –
Who drills his Welcome in –
– Emily Dickinson (1861)
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| James Holland A Recollection of Venice ca. 1850 oil on panel Tate Britain |
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| William Parrott The Fountain Port of Genoa 1855 oil on canvas Touchstone Rochdale, Lancashire |
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| Robert Collinson Buildings in the Grounds of the South Kensington Museum in 1862 1862 oil on canvas Victoria & Albert Museum, London |
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| Benjamin Williams Leader The Moated Grange 1868 oil on canvas Atkinson Art Gallery, Southport, Merseyside |
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| William White Warren The Dogana and Church of the Salute, Venice ca. 1880 oil on panel Victoria Art Gallery, Bath |
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| William Logsdail Mestre, near Venice 1881 oil on canvas Usher Gallery, Lincoln |
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| Clarence Roe Palmyra, Syria ca. 1890 oil on canvas Ferens Art Gallery, Kingston-upon-Hull |
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| Thomas Edwin Mostyn A Garden by Night ca. 1890 oil on canvas Bushey Museum and Art Gallery, Hertfordshire |
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| Henry Woods Cloisters, the Church of the Frari, Venice 1893 oil on canvas Warrington Museum and Art Gallery, Cheshire |
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| John Fulleylove The Garden of the Cardinal ca. 1898 oil on canvas Russel-Cotes Art Gallery and Museum, Bournemouth |