 |
| Josef Albers Study for Homage to the Square 1964 oil on board Tate Gallery |
 |
| John Golding Phaestos – Green 1965-66 acrylic on canvas Southbank Centre, London |
 |
| Elizabeth Blackadder Princess Street Gardens, Edinburgh ca. 1966 oil on canvas City Art Centre, Edinburgh |
 |
| John Hoyland 5.2.67 1967 oil on canvas Yale Center for British Art |
 |
| Derek Jarman Landscape with Blue Pool 1967 oil on canvas Southbank Centre, London |
 |
| Mark Lancaster Zapruder 1967 acrylic on canvas British Council Collection, London |
 |
| Richard Smith Amazon 1-5 ca. 1969 acrylic on canvas Leeds Art Gallery, Yorkshire |
He seems to me equal to gods that man
whoever he is who opposite you
sits and listens close
to your sweet speaking
and lovely laughing – oh it
puts the heart in my chest on wings
for when I look at you, even a moment, no speaking
is left in me
no: tongue breaks and thin
fire is racing under skin
and in eyes no sight and drumming
fills ears
and cold sweat holds me and shaking
grips me all, greener than grass
I am and dead – or almost
I seem to me.
– from If Not, Winter: Fragments of Sappho, translated by Anne Carson (2002)
 |
| Patrick Heron Rumbold Vertical Four: Green in Green with Blue and Red: September 1970 1970 oil on canvas Aberdeen Art Gallery, Scotland |
 |
| Taylor Earnshaw Mersey Estuary ca. 1973 oil on panel Atkinson Art Gallery, Southport, Merseyside |
 |
| Victor Pasmore The Green Earth 1979-80 oil on canvas, mounted on panel Tate Gallery |
 |
| Estelle Thompson Splitting and Stroking 1993 oil on linen University of Warwick, Coventry |
 |
| Clare Neasham Drop 1993 oil on panel Middlesbrough Institute of Modern Art |
 |
| Maria Lalić History Painting 8 Egyptian. Orpiment 1995 oil on canvas Tate Gallery |
 |
| Blaise Drummond Untitled – Green with Cricketers 1999 oil on canvas The Royal Hospitals, Belfast |
 |
| Neil Dallas Brown Glissando Shimmer (Coast) 2000 oil on canvas Glasgow School of Art |