 |
| Fabrizio Boschi Allegorical Figure 1619 exterior façade fresco Palazzo dell'Antella, Florence |
 |
| Fabrizio Boschi Allegorical Figure 1619 exterior façade fresco Palazzo dell'Antella, Florence |
 |
| Fabrizio Boschi Angel 1619 exterior façade fresco Palazzo dell'Antella, Florence |
 |
| Fabrizio Boschi Immaculate Conception with Adam and Eve, St John the Evangelist and other Saints ca. 1610 oil on canvas Chiesa dei Santi Cosma e Damiano al Vivaio, Incisa Valdarno |
 |
| Fabrizio Boschi St John the Baptist ca. 1605-1610 overdoor fresco in courtyard Certozza del Galluzzo, Florence |
 |
| Fabrizio Boschi St Lawrence ca. 1605-1610 overdoor fresco in courtyard Certozza del Galluzzo, Florence |
 |
| Fabrizio Boschi St Nicholas of Bari saving Innocent Soldiers from Execution ca. 1605-1609 oil on canvas Certozza del Galluzzo, Florence |
 |
| Fabrizio Boschi The Last Supper 1619 fresco Ospedale Bonifacio, Florence |
 |
| Fabrizio Boschi The Last Supper (detail) 1619 fresco Ospedale Bonifacio, Florence |
 |
| Fabrizio Boschi The Last Supper (detail) 1619 fresco Ospedale Bonifacio, Florence |
 |
| Fabrizio Boschi The Last Supper (detail) 1619 fresco Ospedale Bonifacio, Florence |
 |
| Fabrizio Boschi The Last Supper (detail) 1619 fresco Ospedale Bonifacio, Florence |
 |
| Fabrizio Boschi St Bernardino of Siena carried aloft by Angels before 1642 oil on canvas Chiesa di San Salvatore di Ognissanti, Florence |
 |
| Fabrizio Boschi Crucifixion of St Peter ca. 1631-33 fresco Basilica di Santa Trinità, Florence |
 |
| Fabrizio Boschi St Peter healing a Blind Man ca. 1631-33 fresco Basilica di Santa Trinità, Florence |
"Fabrizio Boschi, who trained with Passignano in the late 1580s, is known today principally to specialists, but he enjoyed a considerable degree of popularity in the early seicento. His commissions included frescoes in S. Marco, S. Trinità, and the Casino Mediceo; oil paintings in the Palazzo Pitti and the Casa Buonarroti; and numerous altarpieces in and around Florence. His identity as a draughtsman remained elusive until the 1960s, when Anna Rosa Masetti and Christel Thiem connected several sheets with his paintings and frescoes [the post following this one will be devoted to drawings by Fabrizio Boschi]."
– Thomas McGrath, from a review article in Apollo (January, 2004)