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| Anonymous Italian Artist Académie ca. 1600-1650 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1600-1650 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1600-1650 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1600-1650 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1600-1650 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
Figure
You want a piece of me
to see, from the flesh of me,
a flesh from within me
no one's ever seen, not me,
nor the mother or the lovers of me.
A piece that will have been me
but then no longer me,
instead a synecdoche of me,
or possibly metonymy,
a figure of speech of me,
in contiguity or association with me,
a part for the whole of me,
a sliver that once was me,
so you might perceive the end of me.
– Robert Wrigley (2019)