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| Anonymous printmaker after Carlo Bononi Genius of the Arts 17th century engraving Rijksmuseum, Amsterdam |
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| Carlo Bononi Vulcan ca. 1591-93 oil on canvas Galleria Estense, Modena |
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| Carlo Bononi Study of Hands (recto) before 1632 drawing British Museum |
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| Carlo Bononi Study of Hands (verso) - Figure Study before 1632 drawing British Museum |
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| Carlo Bononi Holy Family adored by St Charles Borromeo, St Clare, St Francis of Assisi and St Lucy before 1632 drawing Musée du Louvre |
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| Carlo Bononi Holy Family adored by St Barbara, St Lucy and St Catherine of Alexandria 1626 oil on canvas Galleria Estense, Modena |
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| Carlo Bononi Adoration of the Shepherds ca. 1615-25 drawing Art Institute of Chicago |
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| Carlo Bononi Adoration of the Shepherds ca. 1615-25 oil on panel Detroit Institute of Arts |
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| Carlo Bononi Drapery Study before 1632 drawing Minneapolis Institute of Art |
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| Carlo Bononi Virgin and Child enthroned with St Maurelius and St George ca. 1604 oil on canvas Kunsthistorisches Museum, Vienna |
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| Carlo Bononi Study of Upraised Arm with Drapery before 1632 drawing Morgan Library, New York |
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| Carlo Bononi Miracle of the Madonna of Carmel ca. 1624-27 oil on canvas Galleria Estense, Modena |
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| Carlo Bononi St Barbara before 1632 oil on canvas Palazzo dei Diamanti, Ferrara |
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| Carlo Bononi Pietà with St Sebastian and St Bonaventure 1610 oil on canvas Musée du Louvre |
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| Carlo Bononi Académie before 1632 drawing Museo del Prado, Madrid |
"In Carlo Bonone Ferrara possessed an early Seicento painter who in his best period after 1610 shows a close affinity to [Bartolomeo] Schedoni. Though not discarding the local tradition stemming from [Dosso] Dossi, nor neglecting what he had learned from Veronese, he fully absorbed the new tendencies coming from Lodovico Carracci."
– Art and Architecture in Italy, 1600-1750 by Rudolf Wittkower (1958), revised by Joseph Connors and Jennifer Montagu for Yale University Press (1999)