Saturday, August 3, 2024

Made in 1980

Nan Goldin
Self Portrait in Blue Bathroom, London
1980
C-print
National Gallery of Australia, Canberra

Renée van Halm
Backdrop (Annunciation)
1980
oil on panel
Beaverbrook Art Gallery, Fredericton, New Brunswick


Corneille (Guillaume Cornelis van Beverloo)
Vertige de l'oeil
1980
lithograph
NSU Art Museum, Fort Lauderdale, Florida

Waichi Hayashi
Chrysanthemums
1980
color woodblock print
Loeb Art Center, Vassar College, Poughkeepsie, New York

William Yang
Patrick White #1, King's Cross
1980
gelatin silver print
Queensland Art Gallery, Brisbane

Stephen Jones Millinery (London)
"Quintessence" Hat
1980
straw and wire
National Gallery of Australia, Canberra

Madame Grès
Evening Gown
1980
silk jersey and silk chiffon
National Gallery of Victoria, Melbourne

Issey Miyake
Bustier
1980
fiberglass
National Gallery of Australia, Canberra

Gilles Boisvert
La Fille au Sac Jaune
1980
acrylic on canvas
Musée National des Beaux-Arts du Québec

Jeff Busby
Melbourne Cabaret
1980
gelatin silver print
National Gallery of Australia, Canberra

Jeff Busby
Australian Dance Theatre
1980
gelatin silver print
National Gallery of Australia, Canberra

Jeff Busby
Australian Dance Theatre
1980
gelatin silver print
National Gallery of Australia, Canberra

Jeff Busby
Australian Dance Theatre
1980
gelatin silver print
National Gallery of Australia, Canberra

Erica McGilchrist
Flounces
1980
acrylic on canvas
Heide Museum of Modern Art, Bulleen, Australia

Elizabeth Bain
Construction for the Absolute #5
1980
assemblage of painted wood
Los Angeles County Museum of Art

Bruce Davidson
Untitled
1980
dye transfer print
San Diego Museum of Art

Sonnets from China

                                 X

So an age ended, and its last deliverer died
In bed, grown idle and unhappy; they were safe:
The sudden shadow of a giant's enormous calf
Would fall no more at dusk across their lawns outside.

They slept in peace: in marshes here and there no doubt
A sterile dragon lingered to a natural death,
But in a year the slot had vanished from the heath;
A kobold's knocking in the mountain petered out.

Only the sculptors and the poets were half-sad,
And the pert retinue from the magician's house
Grumbled and went elsewhere. The vanquished powers were glad

To be invisible and free; without remorse
Struck down the silly sons who strayed into their course,
And ravished the daughters, and drove the fathers mad.  

– W.H. Auden (1938)