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| Judith Berry Landscape Study no. 12, Italian Hill 1992 oil on panel Musée National des Beaux-Arts du Québec |
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| Judith Berry Large Garden with Figure 1992 oil on canvas Musée National des Beaux-Arts du Québec |
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| Chris Barry Franek (series, Lost in Translation) 1992 C-print Queensland Art Gallery, Brisbane |
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| Chris Barry Ode to Rodchenko and the Polish Flag (series, Lost in Translation) 1992 C-print Queensland Art Gallery, Brisbane |
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| Chris Cran Untitled (Crowd) 1992 oil and acrylic on canvas Museum London, Ontario |
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| Stephen Andrews Quick 1992 encaustic and ink on canvas Agnes Etherington Art Centre, Kingston, Ontario |
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| Robert Ashton Cactus Garden with Head of Jesus 1992 gelatin silver print Art Gallery of New South Wales, Sydney |
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| Louise Bourgeois Saint Sébastienne 1992 drypoint National Gallery of Australia, Canberra |
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| Lesley Goldacre Untitled (The Wedding Dress) 1992 C-print National Gallery of Australia, Canberra |
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| Peter Lyssiotis Michael and Andrew 1992 C-print Queensland Art Gallery, Brisbane |
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| Anna Platten Study for Woman and Man in Embrace 1992 drawing Art Gallery of South Australia, Adelaide |
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| Anna Platten Woman and Man in Embrace 1992 oil on canvas Art Gallery of South Australia, Adelaide |
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| James Clayden Red Place Painting with Form 1992 enamel on canvas National Gallery of Victoria, Melbourne |
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| Charles Ray Boy 1992 painted fiberglass, steel, clothing (larger-than-life size) Art Institute of Chicago |
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| John Frank Marok Théière 1992 oil on canvas Musée National des Beaux-Arts du Québec |
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| Warren Brandt White, Yellow and Orange Gladioli 1992 oil on canvas Delaware Art Museum, Wilmington |
Brussels in Winter
Wandering through cold streets tangled like old string,
Coming on fountains rigid in the frost,
Its formula escapes you; it has lost
The certainty that constitutes a thing.
Only the old, the hungry and the humbled
Keep at this temperature a sense of place,
Keep at this temperature a sense of place,
And in their misery are all assembled;
The winter holds them like an Opera-House.
Ridges of rich apartments loom to-night
Where isolated windows glow like farms,
A phrase goes packed with meaning like a van,
A look contains the history of man,
And fifty francs will earn a stranger right
To take the shuddering city in his arms.
– W.H. Auden (1938)