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| Girolamo da Cremona Triumph of Chastity ca. 1460-70 tempera and oil on panel Denver Art Museum |
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| Girolamo da Cremona Triumph of Love ca. 1460-70 tempera and oil on panel Denver Art Museum |
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| Girolamo da Cremona Triumph of Fame ca. 1460-70 tempera and oil on panel Denver Art Museum |
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| Girolamo da Cremona Triumph of Death ca. 1460-70 tempera and oil on panel Denver Art Museum |
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| Eduard Gurk Metternich Monument in Königswart before 1841 watercolor on paper Graphische Sammlung Albertina, Vienna |
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| Eduard Gurk Schloss Laxenburg ca. 1830 watercolor on paper Graphische Sammlung Albertina, Vienna |
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| Eduard Gurk Tomb of St John Nepomuk in Prague before 1841 watercolor on paper Graphische Sammlung Albertina, Vienna |
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| Eduard Gurk View near Baden 1833 watercolor on paper Graphische Sammlung Albertina, Vienna |
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| Anonymous Venetian Makers Dolphin 17th century Istrian stone (fountain fragment) Isabella Stewart Gardner Museum, Boston |
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| Anonymous Venetian Makers Clock ca. 1750 painted wood with porcelain face Portland Art Museum, Oregon |
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| Anonymous Venetian Makers Portrait of a Senator 18th century marble Isabella Stewart Gardner Museum, Boston |
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| Anonymous Venetian Makers Goblet ca. 1600-1625 blown glass Royal Ontario Museum, Toronto |
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| Bettie van Haaster Curtain 2018 oil on canvas Kunstmuseum, The Hague |
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| Bettie van Haaster Shelter 2016 oil on canvas Kunstmuseum, The Hague |
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| Bettie van Haaster Broken Mast 2011 oil on canvas Kunstmuseum, The Hague |
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| Bettie van Haaster Ribbon 2009 oil on canvas Kunstmuseum, The Hague |
from Baskets
It is a good thing,
in the marketplace
the old woman trying to decide
among the lettuces,
impartial, weighing the heads,
examining
the outer leaves, even
sniffing them to catch
a scent of earth
of which, on one head,
some trace remains – not
the substance but
the residue – so
she prefers it to
the other, more
estranged heads, it
being freshest: nodding
briskly at the vendor's wife,
she makes this preference known,
an old woman, yet
vigorous in judgment.
– Louise Glück (1985)