Winogrand

Garry Winogrand
Lily St. Cyr in her Dressing Room
1954
gelatin silver print
Art Institute of Chicago

Garry Winogrand
Nick Biondi, Golden Gloves Boxer, embraced by Supporter
1955
gelatin silver print
Smithsonian American Art Museum, Washington DC

Garry Winogrand
Nick Biondi [smiling, right foreground] at Victory Party
1955
gelatin silver print
Smithsonian American Art Museum, Washington DC

Garry Winogrand
New York City
1968
gelatin silver print
Art Institute of Chicago

Garry Winogrand
Los Angeles, California
1969
gelatin silver print
Smithsonian American Art Museum, Washington DC

Garry Winogrand
Copenhagen
1969
gelatin silver print
Art Institute of Chicago

Garry Winogrand
Betty Friedan
1969
gelatin silver print
National Portrait Gallery, Washington DC

Garry Winogrand
Untitled
1969
gelatin silver print
Art Institute of Chicago

Garry Winogrand
Diane Arbus
1969
gelatin silver print
National Portrait Gallery, Washington DC

Garry Winogrand
Untitled
1970
gelatin silver print
Art Institute of Chicago

Garry Winogrand
Central Park
ca. 1975
gelatin silver print
Art Institute of Chicago

Garry Winogrand
MoMA
ca. 1975
gelatin silver print
Art Institute of Chicago

Garry Winogrand
Untitled
ca. 1975
gelatin silver print
Art Institute of Chicago

Garry Winogrand
T.W.A. Terminal
1978
gelatin silver print
Smithsonian American Art Museum, Washington DC

Garry Winogrand
Beverly Hills, California
1980
gelatin silver print
Art Institute of Chicago

Garry Winogrand
John Huston on the set of Annie
1981
gelatin silver print
National Portrait Gallery, Washington DC

Garry Winogrand
Pedestrians – 37-cent Postage Stamp
2002
offset-print-with-adhesive-back-
National Postal Museum, Washington DC

Claudian's Old Man of Verona

Happy the Man, who his whole time doth bound

Within th' enclosure of his little ground.

Happy the Man, whom the same humble place,

(Th' hereditary Cottage of his Race)

From his first rising infancy has known,

And by degrees sees gently bending down,

With natural propension to that Earth

Which both preserv'd his Life, and gave him birth.

Him no false distant lights by fortune set,

Could ever into foolish wandrings get.

He never dangers either saw, or fear'd:

The dreadfull stormes at Sea he never heard.

He never heard the shrill allarms of War,

Or the worse noises of the Lawyers Bar.

No change of Consuls marks to him the year,

The change of seasons is his Calendar.

The Cold and Heat, Winter and Summer shows,

Autumn by Fruits, and Spring by Flow'rs he knows.

He measures Time by Land-marks, and has found

For the whole day the Dial of his ground.

A neighbouring Wood born with himself he sees,

And loves his old contemporary Trees.

H'as only heard of near Verona's name,

And knows it like the Indies, but by Fame.

Does with a like concernment notice take

Of the Red-Sea, and of Benacus lake.* 

Thus Health and Strength he to' a third age enjoyes,

And sees a long Posterity of Boys.

About the spacious World let others roam,

The Voyage Life is longest made at home.

– Claudian (AD 370-404), translated by Abraham Cowley (before 1667)

*Lago di Garda