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| Marsden Hartley Movement no. 9 1916 oil on paper, mounted on panel Walker Art Center, Minneapolis | 
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| Marsden Hartley Pink Begonias 1928-29 oil on panel Smithsonian American Art Museum, Washington DC | 
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| Marsden Hartley Red Tree 1910 oil on board Smithsonian American Art Museum, Washington DC | 
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| Marsden Hartley Self Portrait 1908 drawing Smithsonian American Art Museum, Washington DC | 
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| Embriachi Workshop Portable Altarpiece - Virgin and Child with Saints ca. 1390-1430 carved bone and wood Nasher Museum of Art, Durham, North Carolina | 
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| Embriachi Workshop Portable Altarpiece - Crucifixion with Saints ca. 1390-1430 carved bone and wood Nasher Museum of Art, Durham, North Carolina | 
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| Embriachi Workshop Portable Altarpiece - Scenes from Lives of Christ and of Saints ca. 1390-1400 carved bone and wood Metropolitan Museum of Art, New York | 
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| Embriachi Workshop Cabinet Frontal (assembled from fragments of two Embriachi caskets) ca. 1400-1410 carved bone and wood Metropolitan Museum of Art, New York | 
| -Cactus-Plants-1930-wood-engraving-private-collection.png) | 
| Tirzah Garwood (Tirzah Ravilious) Cactus Plants 1930 wood-engraving private collection | 
| -The-Crocodile-c1935-wood-engraving-National-Gallery-of-Australia-Canberra.jpg) | 
| Tirzah Garwood (Tirzah Ravilious) The Crocodile ca. 1935 wood-engraving National Gallery of Australia, Canberra | 
| -The-Dog-Show-c1935-wood-engraving-National-Gallery-of-Australia-Canberra-.jpg) | 
| Tirzah Garwood (Tirzah Ravilious) The Dog Show ca. 1935 wood-engraving National Gallery of Australia, Canberra | 
| -The-Train-Journey-1939-wood-engraving-private-collection.png) | 
| Tirzah Garwood (Tirzah Ravilious) The Train Journey 1939 wood-engraving private collection | 
| -British-Museum.png) | 
| Thomas Faed Mother and Child ca. 1872 drawing (print study) British Museum | 
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| Thomas Faed Study of Young Woman 1871 drawing British Museum | 
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| Thomas Faed Study of Young Woman ca. 1850 drawing Scottish National Gallery, Edinburgh | 
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| Thomas Faed The Old Fence before 1900 watercolor on paper Art Institute of Chicago | 
from Winter Morning
1.
Today, when I woke up, I asked myself
why did Christ die? Who knows
the meaning of such questions? 
It was a winter morning, unbelievably cold.
So the thoughts went on,
from each question came
another question, like a twig from a branch,
like a branch from a black trunk.
2.
At a time like this
a young woman traveled through the desert settlements
looking neither forward nor backward,
sitting in perfect composure on the tired animal
as the child stirred, still sealed in its profound attachment –
The husband walked slightly ahead, older, out of place;
increasingly, the mule stumbled, the path becoming
difficult in darkness, though they persisted
in a world like our world, not ruled 
by men but by a statue in heaven –
– Louise Glück (1985)