 |
| Anonymous Artist Young Artist with Clients ca. 1810 drawing Loeb Art Center, Vassar College, Poughkeepsie, New York |
 |
| Anonymous Artist Study for Figure of Warrior 17th century drawing National Gallery of Canada, Ottawa |
 |
| Anonymous Artist Académie 16th century drawing Statens Museum for Kunst, Copenhagen |
 |
| Anonymous Artist Study for Figures erecting the Cross ca. 1700-1750 drawing Graphische Sammlung Albertina, Vienna |
 |
| Anonymous Artist Stoning of St Stephen 18th century drawing Musée des Beaux-Arts de Bordeaux |
 |
| Anonymous Artist Sacrifice of Abraham ca. 1500-1550 drawing Kupferstichkabinett, Kunstmuseum Basel |
 |
| Anonymous Artist Studies of Monte Cavallo Horses, Rome ca. 1510-20 drawing Graphische Sammlung Albertina, Vienna |
-Fitzwilliam-Museum-Cambridge.jpg) |
| Anonymous Artist Antique Sculpture Fragments, Rome 16th century drawing Fitzwilliam Museum, Cambridge |
 |
| Anonymous Artist Figure Studies 17th century drawing Metropolitan Museum of Art, New York |
 |
| Anonymous Artist Man's Legs in Contrapposto 15th century drawing Städel Museum, Frankfurt |
 |
| Anonymous Artist Judith with the Head of Holofernes ca. 1550-1600 drawing Hamburger Kunsthalle |
 |
| Anonymous Artist Figure supporting Cartouche 17th century drawing Graphische Sammlung Albertina, Vienna |
 |
| Anonymous Artist Draped Figure with upraised Vessel 17th century drawing Graphische Sammlung Albertina, Vienna |
 |
| Anonymous Artist Classical Bust 18th century drawing Ashmolean Museum, Oxford |
 |
| Anonymous Artist Christ falling beneath the Cross 17th century drawing Graphische Sammlung Albertina, Vienna |
 |
| Anonymous Artist Académie ca. 1775-1800 drawing Musée des Beaux-Arts de Lyon |
Elms
All day I tried to distinguish
need from desire. Now, in the dark,
I feel only bitter sadness for us,
the builders, the planers of wood,
the builders, the planers of wood,
because I have been looking
steadily at these elms
steadily at these elms
and seen the process that creates
the writhing, stationary tree
is torment, and have understood
it will make no forms but twisted forms.
– Louise Glück (1985)