Geoffrey James Villa Borghese, Rome 1971 gelatin silver print National Gallery of Canada, Ottawa |
Geoffrey James Loggia, Villa Medici, Rome 1984 gelatin silver print National Gallery of Canada, Ottawa |
Marie Laurencin Mandolin 1935 oil on canvas Loeb Art Center, Vassar College, Poughkeepsie, New York |
Marie Laurencin Two Women with Musical Instruments 1935 oil on canvas Art Gallery of New South Wales, Sydney |
Alexander Keirincx (landscape) and Cornelis van Poelenburgh (figures) Wooded Landscape 1629 oil on panel Mauritshuis, The Hague |
Alexander Keirincx Forest Scene with Lake 1620 oil on panel Gemäldegalerie Alte Meister, Dresden |
Abraham Janssens The Good and Bad Thieves on Calvary 1611 oil on canvas Museum de Fundatie, Zwolle, Netherlands |
Abraham Janssens St Sebastian ca. 1609 oil on panel Phoenix Art Museum, Arizona |
Johann Baptist Lampi the Elder Portrait of sculptor Antonio Canova ca. 1805-1806 oil on canvas Liechtenstein Museum, Vienna |
Johann Baptist Lampi the Elder Portrait of Paweł Grabowski ca. 1788-89 oil on canvas National Museum, Warsaw |
Isaac Israëls Donkeys on the Beach ca. 1894-98 oil on canvas Kunstmuseum, The Hague |
Isaac Israëls Young Women on an English Street ca. 1920 watercolor on paper Kröller-Müller Museum, Otterlo, Netherlands |
Alexander Young Jackson Street on Murray Bay ca. 1929 oil on panel Art Gallery of Ontario, Toronto |
Alexander Young Jackson Laurentian Country, Winter ca. 1926 oil on canvas Art Gallery of Ontario, Toronto |
Angelica Kauffmann Portrait of Ferdinand IV, King of Naples with his Family ca. 1782-83 oil on canvas (modello) Liechtenstein Museum, Vienna |
Angelica Kauffmann Woman in Turkish Dress ca. 1771-74 oil on canvas Saint Louis Art Museum |
from The Embrace
She taught him the gods. Was it teaching? He went on
hating them, but in the long evenings of obsessive talk,
as he listened, they became real. Not that they changed.
– Louise Glück (1985)