Saturday, March 16, 2019

Orazio Gentileschi (1563-1639) - Paintings (to 1610)

Orazio Gentileschi
St Francis supported by an Angel
ca. 1600
oil on canvas
Museum of Fine Arts, Boston

Orazio Gentileschi
Stigmatization of St Francis
ca. 1600-1601
oil on canvas
Museum of Fine Arts, Houston

Orazio Gentileschi
St Francis supported by an Angel
ca. 1603
oil on canvas
Museo del Prado, Madrid

"Born in Pisa, the son of a Florentine goldsmith named Lomi, Orazio Gentileschi became famous under the name of his mother, which he assumed at an early age.  His half-brother, the Mannerist painter Aurelio Lomi, was an artist of some importance in the history of Florentine and Genoese painting.  At the age of seventeen, Orazio went to Rome.  . . .  His early works are surprising, due to a simplicity and straight linearity of composition that one would not expect in an artist trained under the Mannerists in Rome, and no less so because of the great restraint in respect to motifs involving action.  When he fell under the influence of Caravaggio, the artist significantly strengthened his pictorial effect through his use of chiaroscuro as well as by means of the rich and tasteful costuming of his figures; yet he never relinquished the characteristic primitivism in his use of line, which remains suggestive of the Florentine tradition.  . . .   Gentileschi's art stands in almost total isolation within the goals of his generation.  He is perhaps comparable to Carlo Saraceni in respect to his pictorial refinement and his focus upon the lyrical and the dramatic.  In contrast to the broad, open and non-linear style of the Venetian-born Saraceni, however, Gentileschi's more severe and decisive formal compositions and his simple, more impressive manner of drawing clearly reflect the Tuscan temperament.  Gentileschi's art is one of those cases in which the surviving vitality of the Tuscan Quattrocento tradition is tangibly evident, but without there being a deliberate dependency, as in the case of Sassoferrato."

– Hermann Voss, from Baroque Painting in Rome (1925), revised and translated by Thomas Pelzel (San Francisco: Alan Wofsy, 1997)

Orazio Gentileschi
Christ carrying the Cross
1605
oil on panel
Kunsthistorisches Museum, Vienna

Orazio Gentileschi
Circumcision of Christ
ca. 1605-1607
oil on canvas
Pinacoteca Civica Francesco Podesti, Ancona

Orazio Gentileschi
David and Goliath
ca. 1605-1607
oil on canvas
National Gallery of Ireland

Orazio Gentileschi
Landscape with St Christopher
ca. 1605-1610
oil on copper
Gemäldegalerie, Berlin

Orazio Gentileschi
The Martyrs Cecilia, Valerian, and Tiburtius visited by an Angel
1606-1607
oil on canvas
Pinacoteca di Brera, Milan

Orazio Gentileschi
Madonna and Child
ca. 1607
oil on canvas
private collection

Orazio Gentileschi
Holy Family with St John the Baptist
1607
oil on copper
private collection

Orazio Gentileschi
Baptism of Christ
1607
oil on canvas
Chiesa di Santa Maria della Pace, Rome

Orazio Gentileschi
Judith and Maidservant with the Head of Holofernes
1608
oil on canvas
National Gallery of Norway

Orazio Gentileschi
Madonna and Child
1609
oil on canvas
National Museum of Art of Romania, Bucharest

Orazio Gentileschi
David with the Head of Goliath
1610
oil on canvas
Galleria Spada, Rome

Orazio Gentileschi
David with the Head of Goliath
ca. 1610
oil on copper
Gemäldegalerie, Berlin