Saturday, March 16, 2019

Francesco Vanni (1563-1610) - Siena, Bologna, Rome

Francesco Vanni
Christ at the Column
1596
oil on canvas
Kunsthistorisches Museum, Vienna

Francesco Vanni
Holy Family with St John the Baptist
ca. 1580-86
oil on copper
Walters Art Museum, Baltimore

Francesco Vanni
Study for St Hyacinth raising a Drowned Child
ca. 1595-1600
oil on paper
Musée du Louvre

"By traveling regularly, Francesco Vanni brought an art combining many influences to his native Siena.  In its evolution away from Mannerism and its allegiance to the styles of Raphael, Federico Barocci, and the Carracci, Vanni's art had a lasting impact on Sienese painting.  After training with his stepfather, Vanni went to Bologna, where he may have worked under Bartolomeo Passarotti.  He absorbed the Carracci classicism, founded on studying nature, then spent two years in a Roman studio, when Federico Zuccaro's increasingly naturalistic Mannerist style was pervading the city.  From 1585, Barocci's style also heavily influence Vanni's painting, resulting in sharp, acid colors and delicate facial types.  Back in Siena in the 1590s, Vanni was the leading artistic figure there.  His clients from Siena's churches and confraternities desired a more realistic style, following Counter-Reformation guidelines requiring painting to communicate clear stories to the populace.  Vanni's artistic response attracted the interest of representatives from Rome, where he stayed from about 1600 to 1604.  His many commissions there included a prestigious altarpiece in Saint Peter's Basilica.  Upon his return to Siena, Vanni devoted himself to commissions from local patrons."

– from biographical notes at the Getty Museum

Francesco Vanni
Virgin and Child with St Cecilia and St Inez
1600
oil on canvas
Museo del Prado, Madrid

Francesco Vanni
Virgin Protectress of the city of Siena
1588
drawing
Metropolitan Museum of Art, New York

Francesco Vanni
Nativity
ca. 1600
drawing
Getty Museum, Los Angeles

attributed to Francesco Vanni
Putto playing Stringed Instrument
before 1610
drawing
Royal Collection, Great Britain

attributed to Francesco Vanni
Cardinal Paolo Sfondrato kneeling before St Cecilia, accompanied by other Saints
before 1610
drawing
Metropolitan Museum of Art, New York

attributed to Francesco Vanni
Seated Female Figure in Prayer
before 1610
drawing
Royal Collection, Great Britain

attributed to Francesco Vanni
Sleeping Youth
ca. 1600
drawing
Royal Collection, Great Britain

Francesco Vanni
Standing Woman looking to Left Background
ca.  1596-98
drawing
Metropolitan Museum of Art, New York

Francesco Vanni
Man chopping a Tree
before 1610
drawing
Morgan Library, New York

attributed to Francesco Vanni
Three Sleeping Apostles
(study for painting, Agony in the Garden)
before 1610
drawing
Royal Collection, Great Britain

Francesco Vanni
Coronation of the Virgin
1605
drawing
Metropolitan Museum of Art, New York

Francesco Vanni
Self-portrait
before 1610
oil on copper
Pinacoteca Nazionale di Siena