Monday, September 12, 2022

Louvre - Unassigned Italian Figures - Ornamental / Divine

Anonymous Italian Artist
Study of Man Running
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Figure Study of Falling Man
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Figure Study of Falling Man
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Warrior in Pendentive
ca. 1650-1700
drawing
Musée du Louvre

Anonymous Italian Artist
Design for Atlantes
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Figure Study as Neptune
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Figure Study as Kneeling Supplicant
ca. 1650-1700
drawing
Musée du Louvre

Anonymous Italian Artist
Apollo
ca. 1650-1700
drawing
Musée du Louvre

Anonymous Italian Artist
Figure Study of Draped Woman
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Two Caryatids
16th century
drawing
Musée du Louvre

Anonymous Italian Artist after Michelangelo
Ignudo from the Sistine ceiling
ca. 1650-1700
drawing
Musée du Louvre

Anonymous Italian Artist
Satyr as Architectural Support
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Sheet of Studies
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Sheet of Studies
ca. 1600-1650
drawing
Musée du Louvre

Anonymous Italian Artist
Study for Decapitated Body
17th century
drawing
Musée du Louvre

Wall and Pine: The Rain

Now the god of rainy August hangs his mask
among the city's spires and balustrades
and stone clocktowers half-effaced in clouds.
On Park the first reflecting pool dims
with a thousand smelted-silver circle-rims,
while west on Fifth a modiste scatters leaves
in fall vitrines, and felt-browed mannequins
resign the world with gestures of disdain.

Now in the Cloister's high parterres the rain
floods copper gutterings, boxwood, terraced urns
and mottoes. "The weather turns." Clamped to their pier,
the smiling Gauls, the murderer Clotaire,
and Isaiah, green-throned, water-cowled, exchange
their fine-lit ironies for rotes of pain.

– Anne Winters, from The Displaced of Capital (University of Chicago Press, 2004)