Anonymous Italian Artist Study of Man Running 17th century drawing Musée du Louvre |
Anonymous Italian Artist Figure Study of Falling Man 17th century drawing Musée du Louvre |
Anonymous Italian Artist Figure Study of Falling Man 17th century drawing Musée du Louvre |
Anonymous Italian Artist Warrior in Pendentive ca. 1650-1700 drawing Musée du Louvre |
Anonymous Italian Artist Design for Atlantes 17th century drawing Musée du Louvre |
Anonymous Italian Artist Figure Study as Neptune 17th century drawing Musée du Louvre |
Anonymous Italian Artist Figure Study as Kneeling Supplicant ca. 1650-1700 drawing Musée du Louvre |
Anonymous Italian Artist Apollo ca. 1650-1700 drawing Musée du Louvre |
Anonymous Italian Artist Figure Study of Draped Woman 17th century drawing Musée du Louvre |
Anonymous Italian Artist Two Caryatids 16th century drawing Musée du Louvre |
Anonymous Italian Artist after Michelangelo Ignudo from the Sistine ceiling ca. 1650-1700 drawing Musée du Louvre |
Anonymous Italian Artist Satyr as Architectural Support 17th century drawing Musée du Louvre |
Anonymous Italian Artist Sheet of Studies 17th century drawing Musée du Louvre |
Anonymous Italian Artist Sheet of Studies ca. 1600-1650 drawing Musée du Louvre |
Anonymous Italian Artist Study for Decapitated Body 17th century drawing Musée du Louvre |
Wall and Pine: The Rain
Now the god of rainy August hangs his mask
among the city's spires and balustrades
and stone clocktowers half-effaced in clouds.
On Park the first reflecting pool dims
with a thousand smelted-silver circle-rims,
while west on Fifth a modiste scatters leaves
in fall vitrines, and felt-browed mannequins
resign the world with gestures of disdain.
Now in the Cloister's high parterres the rain
floods copper gutterings, boxwood, terraced urns
and mottoes. "The weather turns." Clamped to their pier,
the smiling Gauls, the murderer Clotaire,
and Isaiah, green-throned, water-cowled, exchange
their fine-lit ironies for rotes of pain.
– Anne Winters, from The Displaced of Capital (University of Chicago Press, 2004)