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| Anonymous Italian Artist Half-Length Figure Study 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Half-Length Figure Study 17th century drawing (colored chalks) Musée du Louvre |
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| Anonymous Italian Artist Study for Bacchus 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Figure Studies ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Figure Studies ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Sheet of Studies 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Measured Anatomical Studies ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Figure bound to block of stone ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Figure chained to blocks of stone ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 18th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 18th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 18th century drawing Musée du Louvre |
from Almost a Figure
What holds the human body in human form?
I was in Belfast, you were hospitalized &
tested. I kept dreaming of doctors with enormous hands
abusing flowers.
And of a sericulture room, dimly lit
where the single
long filaments of silkworms
were drawn from empty cocoons
by machines
that stretched the limits of death and beauty by
necessity.
– Katherine Larson (2006)