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| Anonymous Italian Artist Allegorical Figure 16th century drawing Musée du Louvre |
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| Anonymous Italian Artist Allegorical Figure 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Archangel Michael ca. 1550-1600 drawing Musée du Louvre |
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| Anonymous Italian Artist Figure of a Young Woman after the Antique ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Monk in Prayer ca. 1600 drawing Musée du Louvre |
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| Anonymous Italian Artist David with the Head of Goliath 16th century drawing Musée du Louvre |
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| Anonymous Italian Artist Sleeping Man ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Study of Draped Man ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Study of Draped Man ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Study of Figure leaning forward ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Figure Study of Soldier ca. 1550-1600 drawing Musée du Louvre |
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| Anonymous Italian Artist Figure Study for The Flagellation ca. 1475-1525 drawing Musée du Louvre |
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| Anonymous Italian Artist Sleeping Man 18th century drawing Musée du Louvre |
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| Anonymous Italian Artist Soldier with Bow 16th century drawing Musée du Louvre |
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| Anonymous Italian Artist Figure Study of Draped Woman 17th century drawing Musée du Louvre |
Tapestry with Figures
She, with her aging cavalier
Beside her, in a world aflame,
Walked gravely through the dying year,
And all was golden where they came. . . .
And she must praise (and he must hear)
The thing he knew by another name.
This turning of the leaf to gold,
Shining and still and poised in air:
Here was their golden story told. . . .
Or overtold; – that turning, there,
Was turning from the touch of cold,
The poise was poise for going – where?
Now, leave them as they are: The year
All golden, and the cavalier,
And she beside him, still, and dear. . . .
– David Morton (1944)