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| Anonymous Italian Artist Académie (Two Figures) 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Académie 17th century drawing Musée du Louvre |
from Some Figures for Who I Am
It was so I met you once in Florida
in the image of a Baptist graduate student
who told me that the Absolute in Aesthetics
was the same as the Absolute in everything else.
When I asked what that might be, he tossed his mane,
and pointing his finger and his whole arm, said:
"The Triune God!" – Now suppose you're as saved as he is
(as all of you are somewhere inside yourselves)
how shall I not be read in your own image?
– John Ciardi (1956)