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| Anonymous Italian Artist Drapery Study 16th century drawing, with oil paint Musée du Louvre |
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| Anonymous Italian Artist Drapery Studies ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Drapery Study ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Drapery Study ca. 1550-1600 drawing Musée du Louvre |
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| Anonymous Italian Artist Drapery Study for Kneeling Figure 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Drapery Study ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Study of Draped Man 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Study of Draped Man 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Study of Draped Female Relief Figures from the Antique 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Study of Draped Female Statue from the Antique ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Study of Draped Female Statue from the Antique ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Study of Draped Female Statue from the Antique ca. 1600-1650 drawing Musée du Louvre |
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| Anonymous Italian Artist Study of Draped Female Statue from the Antique 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Study of Draped Female Torso from the Antique 17th century drawing Musée du Louvre |
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| Anonymous Italian Artist Study of Draped Female Torso from the Antique 17th century drawing Musée du Louvre |
from Thanatopsis
So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.
– William Cullen Bryant (1817)