Wednesday, September 7, 2022

Unassigned Italian Figure Drawings at the Louvre - XII

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

Anonymous Italian Artist
Académie
17th century
drawing
Musée du Louvre

The Human Figure in a Dress

Naked or not, I'm a costume that moves, figurine with a face that changes. You could call me a mood. I begin cheerful but sometimes turn solemn when confronted with my own mythology (wolf in a cape, cat scratch on a cupboard door, mouse tail in the hand of a bland farmer's wife, a drop of blood on her shoe). Today's beginning ended in a dream. In a fantastical bed, a lover leaned in to kiss me just as I realized I was part machine, part primitive urge. I left the bed and said, You know, don't you, not everyone is so disposed. And then I heard from inside my head, You should say, not everyone is so disposed in your utopia. Only then did I realize I'd been inexact. Even here there are scolds that tell you how to be. Sometimes they live inside. Naked or not, I am trying to tuck my arms invisibly behind my back so that all you can see are my breasts and my highly simplified head. 

– Mary Jo Bang (2016)