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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
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| Anonymous Italian Artist Académie ca. 1650-1700 drawing Musée du Louvre |
from School Figures
So practice would make us perfect
in the repetition of school figures,
obedience traced into the crystalline structure
unadorned and essential as numbers –
the reclining nude,
the 20th-century novel,
the irreducible core . . .
– Cathy Song (1988)