Tuesday, April 15, 2025

Selves - III

Charles Louis Müller
Self Portrait
ca. 1840
oil on canvas
Musée des Beaux-Arts de Valenciennes

Philipp Otto Runge
Self Portrait
1805
oil on panel
Hamburger Kunsthalle

Pompeo Batoni
Self Portrait
1765
oil on canvas
Neue Pinakothek, Munich

Käthe Kollwitz
Self Portrait at Work Table
ca. 1893
etching, aquatint and drypoint
Kupferstichkabinett, Staatliche Museen zu Berlin

Wilhelm von Kobell
Self Portrait
ca. 1800
oil on canvas
Alte Nationalgalerie, Staatliche Museen zu Berlin

Anselm Feuerbach
Self Portrait
1873
oil on canvas
Alte Nationalgalerie, Staatliche Museen zu Berlin

Harald Giersing
Self Portrait
1926
oil on canvas
Nasjonalmuseet, Oslo

Pekka Halonen
Self Portrait
1893
oil on paper
Ateneum Art Museum, Helsinki

Cuno Amiet
Self Portrait
1908
oil on canvas
Museum Folkwang, Essen

Jean-Étienne Liotard
Self Portrait
ca. 1730-40
pastel and gouache on vellum,
mounted on panel
Musée d'Art et d'Histoire de Genève

Jean-Auguste-Dominique Ingres
Self Portrait
1864
oil on canvas
Royal Museum of Fine Arts, Antwerp

Johann-Gottfried Auerbach
Self Portrait
1737
oil on canvas
Kunsthistorisches Museum, Vienna

Håkon Bleken
Self Portrait
1950
oil on canvas
Trondheim Kunstmuseum, Norway

Lovis Corinth
Self Portrait at the Easel
1919
oil on canvas
Alte Nationalgalerie, Staatliche Museen zu Berlin

Edvard Munch
Self Portrait
1905
watercolor, gouache and crayon on cardboard
Nasjonalmuseet, Oslo

Svein Johansen
The French Disease (Self Portrait)
ca. 1998
oil on canvas
Lillehammer Kunstmuseum, Norway

Threesome, Foursome (Selbdritt, Selbviert)

In the dooryard, puckered mint,
you pucker back, you leaf a hint.

Mind this hour, it is your time,
mine the mouth and yours the rhyme.

Mine's the mouth, though it is still,
full of words that will not fill.

Some spell narrowness, some breadth,
all recall the brush with death.

I make one, and we make three,
one half bound, one half free.

In the dooryard, puckered mint,
you pucker back, you leave a hint.

– Paul Celan, from Die Niemandsrose (S. Fischer-Verlag, 1963), translated by Nikolai Popov & Heather McHugh in Glottal Stop (Wesleyan University Press, 2000)