Charles Louis Müller Self Portrait ca. 1840 oil on canvas Musée des Beaux-Arts de Valenciennes |
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Philipp Otto Runge Self Portrait 1805 oil on panel Hamburger Kunsthalle |
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Pompeo Batoni Self Portrait 1765 oil on canvas Neue Pinakothek, Munich |
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Käthe Kollwitz Self Portrait at Work Table ca. 1893 etching, aquatint and drypoint Kupferstichkabinett, Staatliche Museen zu Berlin |
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Wilhelm von Kobell Self Portrait ca. 1800 oil on canvas Alte Nationalgalerie, Staatliche Museen zu Berlin |
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Anselm Feuerbach Self Portrait 1873 oil on canvas Alte Nationalgalerie, Staatliche Museen zu Berlin |
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Harald Giersing Self Portrait 1926 oil on canvas Nasjonalmuseet, Oslo |
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Pekka Halonen Self Portrait 1893 oil on paper Ateneum Art Museum, Helsinki |
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Cuno Amiet Self Portrait 1908 oil on canvas Museum Folkwang, Essen |
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Jean-Étienne Liotard Self Portrait ca. 1730-40 pastel and gouache on vellum, mounted on panel Musée d'Art et d'Histoire de Genève |
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Jean-Auguste-Dominique Ingres Self Portrait 1864 oil on canvas Royal Museum of Fine Arts, Antwerp |
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Johann-Gottfried Auerbach Self Portrait 1737 oil on canvas Kunsthistorisches Museum, Vienna |
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Håkon Bleken Self Portrait 1950 oil on canvas Trondheim Kunstmuseum, Norway |
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Lovis Corinth Self Portrait at the Easel 1919 oil on canvas Alte Nationalgalerie, Staatliche Museen zu Berlin |
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Edvard Munch Self Portrait 1905 watercolor, gouache and crayon on cardboard Nasjonalmuseet, Oslo |
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Svein Johansen The French Disease (Self Portrait) ca. 1998 oil on canvas Lillehammer Kunstmuseum, Norway |
Threesome, Foursome (Selbdritt, Selbviert)
In the dooryard, puckered mint,
you pucker back, you leaf a hint.
Mind this hour, it is your time,
mine the mouth and yours the rhyme.
mine the mouth and yours the rhyme.
Mine's the mouth, though it is still,
full of words that will not fill.
Some spell narrowness, some breadth,
all recall the brush with death.
I make one, and we make three,
one half bound, one half free.
In the dooryard, puckered mint,
you pucker back, you leave a hint.
– Paul Celan, from Die Niemandsrose (S. Fischer-Verlag, 1963), translated by Nikolai Popov & Heather McHugh in Glottal Stop (Wesleyan University Press, 2000)
– Paul Celan, from Die Niemandsrose (S. Fischer-Verlag, 1963), translated by Nikolai Popov & Heather McHugh in Glottal Stop (Wesleyan University Press, 2000)