Monday, September 21, 2026

Visual Preferences (20th Century: 1979)

Dorothy Eisner
Desk II 
1979
oil on canvas
Portland Museum of Art, Maine

Eve Arnold
Art Class, Chungking
1979
dye transfer print
San Diego Museum of Art

Alighiero Boetti
Reflexive Verbs
1979
silk embroidery on textile backing
Kunstmuseum, The Hague

Harry Callahan
Calais, Maine
1979
dye transfer print
San Diego Museum of Art

Mario Algaze
Manuel Alvarez Bravo
1979
gelatin silver print
Lowe Art Museum, University of Miami

Richard Avedon
Francis Bacon
1979
gelatin silver print
San Jose Museum of Art, California

Richard Estes
New York Pressing Machinery Corp.
1979
screenprint
Lowe Art Museum, University of Miami

Howard Hodgkin
For Bernard Jacobson
1979
hand-colored lithograph
North Carolina Museum of Art, Raleigh

John Furnival
Omphale Goes Out Walking
1979
aquatint
Lowe Art Museum, University of Miami

André Kertész
24 Oct 79
1979
Polaroid
Loeb Art Center, Vassar College, Poughkeepsie, New York

Frank Lobdell
Sag no. 9
1979
gouache and colored chalks on paper
San Jose Museum of Art, California

Anton Heyboer
2+
1979
oil on canvas
Kunstmuseum, The Hague

Eric Lindbloom
Untitled #2
1979
gelatin silver print
Loeb Art Center, Vassar College, Poughkeepsie, New York

Richard Misrach
Cypress Trees
(Louisiana series)
1979
C-print
New Orleans Museum of Art

David Mecalco
El Santo gives Thanks to the Dear Virgin
for winning the Lucha Libre championship

1979
paint on metal (ex voto)
Fowler Museum at UCLA

David Graham
Marge Gapp's Studio, Philadelphia
1979
C-print
Art Institute of Chicago

from Precious Five

Praise, tongue, the Earthly Muse
By number and by name
In any style you choose,
For nimble tongues and lame
Have both found favor; praise
Her port and sudden ways,
Now fish-wife and now queen,
Her reason and unreason:
Though freed from that machine,
Praise Her revolving wheel
Of appetites and seasons
In honor of Another,
The old self you become
At any drink or meal,
That animal of taste,
And of his twin, your brother,
Unlettered, savage, dumb,
Down there below the waist:
Although your style be fumbling,
Half stutter and half song,
Give thanks however bumbling,
Telling for Her dear sake
To whom all styles belong
The truth She cannot make.

Be happy, precious five,
So long as I'm alive
Nor try to ask me what
You should be happy for;
Think, if it helps, of love
Or alcohol or gold,
But do as you are told.
I could (which you cannot)
Find reasons fast enough
To face the sky and roar
In anger and despair
At what is going on,
Demanding that it name
Whoever is to blame:
The sky would only wait
Till all my breath was gone
And then reiterate
As if I wasn't there
That singular command
I do not understand,
Bless what there is for being,
Which has to be obeyed, for
What else am I made for,
Agreeing or disagreeing?

– W.H. Auden (1950)