Tuesday, January 28, 2025

Archipenko

Alexander Archipenko
Suzanne
1909
limestone
Norton Simon Museum, Pasadena, California
 
Alexander Archipenko
Walking Woman
1912
bronze
Denver Art Museum

Alexander Archipenko
Collage
1913
collage and gouache on paper
Moderna Museet, Stockholm

Alexander Archipenko
Carrousel Pierrot
1913
painted plaster
Guggenheim Museum, New York

Alexander Archipenko
Medrano II
1913-14
painted tin, wood, glass and oilcloth
Guggenheim Museum, New York

Alexander Archipenko
Geometric Figure no. 1
1914
bronze
Chrysler Museum of Art, Norfolk, Virginia

Alexander Archipenko
La Lutte
1914
bronze
Milwaukee Art Museum

Alexander Archipenko
Statue on Triangular Base
1914
bronze
Nelson-Atkins Museum of Art, Kansas City, Missouri

Alexander Archipenko
Standing Woman
1915
bronze
Fitzwilliam Museum, Cambridge

Alexander Archipenko
Woman with Hat
1916
painted relief
(papier-mâché, wood, metal, gauze)
Los Angeles County Museum of Art

Alexander Archipenko
Standing Figure
1916
bronze
Dallas Museum of Art

Alexander Archipenko
Portuguese
1916
painted terracotta
Saint Louis Art Museum

Alexander Archipenko
Striding Soldier
1917
bronze
Los Angeles County Museum of Art

Alexander Archipenko
Figure
1917
gouache on paper
Norton Simon Museum, Pasadena, California

Alexander Archipenko
Figure
1917
oil on panel
Art Institute of Chicago

Alexander Archipenko
Figure
1917
watercolor and gouache on paper
Norton Simon Museum, Pasadena, California

Alexander Archipenko
Standing Woman
1920
painted relief of papier-mâché and wood
Phillips Collection, Washington DC

Alexander Archipenko
Figurative Composition
1921
lithograph
(as published in the Leipzig magazine, Genius)
Los Angeles County Museum of Art

Alexander Archipenko
Figurative Composition
1921
lithograph
Art Institute of Chicago

Alexander Archipenko
Standing Woman
1921
lithograph
Kunstmuseum, The Hague

Alexander Archipenko
Standing Woman
1921
lithograph
Norton Simon Museum, Pasadena, California

Alexander Archipenko
Mourning Women
ca. 1925
photograph
(taken by the artist of his sculpture)
Victoria & Albert Museum, London

Alexander Archipenko
Glorification of Beauty
1925
silvered brass
Art Institute of Chicago

Alexander Archipenko
Arabian
ca. 1930-40
terracotta
Phillips Collection, Washington DC

Alexander Archipenko
Yellow and Black
1938
painted terracotta
Los Angeles County Museum of Art

Alexander Archipenko
Seated Draped Figure
1948
gouache on paper
Los Angeles County Museum of Art

Fable

We had, each of us, a set of wishes.
The number changed. And what we wished –
that changed also. Because
we had, all of us, such different dreams.

The wishes were all different, the hopes all different.
And the disasters and catastrophes, always different.

In great waves they left the earth,
even the one that is always wasted.

Waves of despair, waves of hopeless longing and heartache.
Waves of the mysterious wild hungers of youth, the dreams of childhood.
Detailed, urgent; once in a while, selfless.

All different, except of course
the wish to go back. Inevitably
last or first, repeated
over and over –

So the echo lingered. And the wish
held us and tormented us
though we knew in our own bodies
it was never granted.

We knew, and on dark nights, we acknowledged this.
How sweet the night became then,
once the wish released us,
how utterly silent.

– Louise Glück (2001)