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| Atelier Van Lieshout Operation 2007 polyester Museum Boijmans Van Beuningen, Rotterdam | 
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| Atelier Van Lieshout The Heart 2002 screenprint Museum Boijmans Van Beuningen, Rotterdam | 
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| Eugène Atget Passage Saint-Pierre, Paris ca. 1900 albumen silver print National Gallery of Australia, Canberra | 
| -Porte-rue-de-l'Orangerie-c1910-albumen-silver-print-Los-Angeles-County-Museum-of-Art.jpg) | 
| Eugène Atget Porte, rue de l'Orangerie, Versailles ca. 1910 albumen silver print Los Angeles County Museum of Art | 
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| Bartolomeo Veneto Portrait of a Man before 1531 oil on panel Fitzwilliam Museum, Cambridge | 
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| Bartolomeo Veneto Portrait of a Woman 1530 oil on panel Timken Museum of Art, San Diego | 
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| Max Beckmann Corner of the Studio 1950 oil on canvas Pinakothek der Moderne, Munich | 
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| Max Beckmann Still Life with Studio Window 1931 oil on canvas Pinakothek der Moderne, Munich | 
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| Jacques Blanchard Mars and the Vestal Virgin ca. 1637-38 oil on canvas Art Gallery of New South Wales, Sydney | 
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| Jacques Blanchard Semele and Jupiter ca. 1632 oil on canvas Dallas Museum of Art | 
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| Augustus John Canadian Soldier 1918 oil on canvas Art Gallery of New South Wales, Sydney | 
| -c1914-oili-on-panel-Art-Gallery-of-New-South-Wales-Sydney.jpg) | 
| Augustus John Reverie (Dorelia in Cornwall) ca. 1914 oil on panel Art Gallery of New South Wales, Sydney | 
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| Oskar Kokoschka Double Portrait of Hans Mardersteig and Carl Georg Heise 1919 oil on canvas Museum Boijmans Van Beuningen, Rotterdam | 
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| Oskar Kokoschka Portrait of Frau Reuther ca. 1921 oil on canvas Norton Simon Museum, Pasadena, California | 
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| Gotthardt Kuehl Blue Room ca. 1900 oil on panel Alte Nationalgalerie, Staatliche Museen zu Berlin | 
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| Gotthardt Kuehl In the Orphanage ca. 1890 oil on panel Kunsthalle Bremen | 
from Orfeo
"J'ai perdu mon Eurydice . . ."
I have lost my Eurydice,
I have lost my lover,
and suddenly I am speaking French
and it seems to me I have never been in better voice;
it seems these songs
are songs of a high order.
And it seems one is somehow expected to apologize
for being an artist,
as though it were not entirely human to notice these fine points.
– Louise Glück (1999)