Sunday, January 26, 2025

Michals

Duane Michals
Children in Leningrad
1958
gelatin silver print
Carnegie Museum of Art, Pittsburgh


Duane Michals
Sailor in Minsk
1958
gelatin silver print
Carnegie Museum of Art, Pittsburgh

Duane Michals
Marcel Duchamp
1964
gelatin silver print
Carnegie Museum of Art, Pittsburgh

Duane Michals
Magritte with Hydrangeas
1965
C-print
Carnegie Museum of Art, Pittsburgh

Duane Michals
Magritte on Couch
1965
C-print
Carnegie Museum of Art, Pittsburgh

Duane Michals
Jeanne Moreau
1967
gelatin silver print
Carnegie Museum of Art, Pittsburgh

Duane Michals
A man dreaming in the city
1969
gelatin silver print
Carnegie Museum of Art, Pittsburgh

Duane Michals
Sal Mineo
ca. 1970
gelatin silver print
Carnegie Museum of Art, Pittsburgh

Duane Michals
Joseph Cornell
1972
gelatin silver print
Carnegie Museum of Art, Pittsburgh

Duane Michals
The Unfortunate Man
1976
gelatin silver print
Carnegie Museum of Art, Pittsburgh

Duane Michals
Gerard Mistral
(from the portfolio, Homage to Cavafy)
1978
gelatin silver print
Milwaukee Art Museum

Duane Michals
Fly, Fork and Flower
1981
hand-colored gelatin silver print
Carnegie Museum of Art, Pittsburgh

Duane Michals
Cheating at Solitaire
1982
hand-colored gelatin silver print
Carnegie Museum of Art, Pittsburgh

Duane Michals
To Too Two
1994
hand-colored gelatin silver print
Carnegie Museum of Art, Pittsburgh

Duane Michals
Young Soldiers Dream in the Garden of the Dead
with Flowers Growing from their Heads

1995
gelatin silver print
Carnegie Museum of Art, Pittsburgh

Duane Michals
Lilies are very vain and jealous too
2006
C-print
Carnegie Museum of Art, Pittsburgh

from Moonbeam

The mist rose with a little sound. Like a thud.
Which was the heart beating. And the sun rose, briefly diluted.
And after what seemed years, it sank again
and twilight washed over the shore and deepened there.
And from out of nowhere lovers came,
people who still had bodies and hearts. Who still had
arms, legs, mouths, although by day they might be
housewives and businessmen. 

The same night also produced people like ourselves.
You are like me, whether or not you admit it.
Unsatisfied, meticulous. And your hunger is not for experience
but for understanding, as though it could be had in the abstract. 

Then it's daylight again and the world goes back to normal.
The lovers smooth their hair; the moon resumes its hollow existence.
And the beach belongs again to mysterious birds
soon to appear on postage stamps.

– Louise Glück (2001)