Anonymous English Makers Dress ca. 1760 printed taffeta of Spitalfields silk Phoenix Art Museum, Arizona |
Anonymous English Makers Robe à l'anglaise (with fichu and apron in cotton gauze) ca. 1780 cotton chintz imported from India Royal Ontario Museum, Toronto |
Anonymous American Makers Hoop "Bradley's Patent Duplex Elliptic Spring Skirt" ca. 1867-68 steel and cotton Philadelphia Museum of Art |
Anonymous English Makers Dolman Jacket ca. 1887 embroidered and beaded silk faille Royal Ontario Museum, Toronto |
Anonymous Burmese Makers Court Costume ca. 1890-1915 cotton embroidered with sequins and glass Asian Art Museum, San Francisco |
Marie-Louise Bruyère (Paris) Evening Gown 1947 silk National Gallery of Victoria, Melbourne |
Antonio del Castillo for House of Lanvin Hat ca. 1960 wool felt and silk faille Philadelphia Museum of Art |
Norman Norell Evening Gown 1971 silk-satin, silk-chiffon, plastic sequins, fox fur Philadelphia Museum of Art |
Kansai Yamamoto Ensemble (cape, blouse, culottes) 1971 synthetic satin and wool-knit Philadelphia Museum of Art |
Laura Ashley Dress 1974 cotton National Gallery of Victoria, Melbourne |
Roberto Capucci "Fumo" Evening Gown 1985 slubbed silk Philadelphia Museum of Art |
Christian Lacroix Dress 1988 silk and cotton National Gallery of Australia, Canberra |
Jacqueline de Ribes Evening Gown 1990 silk satin Philadelphia Museum of Art |
Jean-Paul Gaultier Kilt Trousers 1993 wool tartans Philadelphia Museum of Art |
Comme des Garçons (Japan) Dress 1996 cotton and polyester National Gallery of Victoria, Melbourne |
Iris van Herpen "Alchemy of Light" Dress 2016 silk tulle, thermoplastic polymer, transparent liquid polyurethane Art Gallery of South Australia, Adelaide |
Telemachus' Detachment
When I was a child looking
at my parents' lives, you know
what I thought? I thought
heartbreaking. Now I think
heartbreaking, but also
insane. Also
very funny.
– Louise Glück (1996)