Anonymous Painter working in England Eye of Young Woman 1816 watercolor on ivory Royal Ontario Museum, Toronto |
Anonymous Painter working in England Portrait of Catherine Spencer, daughter of Baron Spencer of Wormleighton ca. 1652 oil on panel Rubenshuis, Antwerp |
Anonymous Painter working in England Portrait of James Hay, 1st Earl of Carlisle ca. 1660-70 oil on canvas (posthumous copy of earlier portrait, now lost) Getty Museum, Los Angeles |
Anonymous Painter working in England Portrait of Sir William Butts ca. 1525-50 tempera and oil on panel Museum of Fine Arts, Boston |
Anonymous Painter working in Canada Portrait of Marie Melanie Quesnel ca. 1810 oil on canvas Art Gallery of Ontario, Toronto |
Anonymous Painter working in Canada Portrait of Mrs Charles Morrison ca. 1830-35 oil on canvas National Gallery of Canada, Ottawa |
Anonymous Painter working in Germany Erdmutha Sophia Friederica von und zu der Tann 1778 oil on canvas Museumslandschaft Hessen Kassel |
Anonymous Painter working in Germany Portrait of John III Sobieski, King of Poland ca. 1680-1700 oil on canvas Alte Pinakothek, Munich |
Anonymous Painter working in India Portrait of General Gerard Lake ca. 1807-1810 gouache on paper Asian Art Museum, San Francisco |
Anonymous Painter working in India Portrait of Prince Sabal Singh of Badnor ca. 1880 oil on canvas Los Angeles County Museum of Art |
Anonymous Painter working in Mexico Portrait of Doña María Dolores del Río y Alday 1780 oil on canvas Denver Art Museum |
Anonymous Painter working in Mexico Mother Ana María of the Precious Blood of Christ 1770 oil on canvas Denver Art Museum |
Anonymous Painter working in Switzerland Portrait of Georgius Ottly 1566 watercolor and gouache on paper Graphische Sammlung, Zentralbibliothek Zürich |
Anonymous Painter working in the USA Portrait of Fannie and Willie Farnsworth ca. 1840 oil on canvas Farnsworth Art Museum, Rockland, Maine |
Anonymous Photographer working in the Netherlands Flora 1994 Polaroid Kunstmuseum, The Hague |
Circe's Grief
In the end, I made myself
known to your wife as
a god would, in her own house, in
Ithaca, a voice
without a body: she
paused in her weaving, her head turning
first to the right, then left
though it was hopeless of course
to trace that sound to any
objective source: I doubt
she will return to her loom
with what she knows now. When
you see her again, tell her
this is how a god says goodbye:
if I am in her head forever
I am in your life forever.
– Louise Glück (1996)