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| Wilhelm Trübner Woman of Brussels 1874 oil on canvas Lenbachhaus, Munich |
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| Bernhard Strigel Emperor Maximilian I with a Scroll ca. 1515 oil on panel Gemäldegalerie, Staatliche Museen zu Berlin |
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| Simon Vouet Minerva ca. 1637-38 drawing (study for fresco) Hamburger Kunsthalle |
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| Thomas Couture Head of a Young Man ca. 1840 drawing Musée des Beaux-Arts de Valenciennes |
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| Charles-Henri-Joseph Cordier Young Woman of Trastavere ca. 1860 marble High Museum of Art, Atlanta |
-Bust-of-Aristotle-1553-engraving-Hamburger-Kunsthalle.jpg) |
| Antoine Lafréry (publisher) Bust of Aristotle 1553 engraving Hamburger Kunsthalle |
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| Albert Edelfelt Study of Model ca. 1874-75 oil on panel Ateneum Art Museum, Helsinki |
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| Eugène Delacroix Portrait of George Sand 1838 oil on canvas (cut down from joint portrait with Chopin) Ordrupgaard Art Museum, Copenhagen |
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| Enea Vico Portrait of Michelangelo Buonarroti 1545 engraving Hamburger Kunsthalle |
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| Sandro Botticelli Idealised Portrait of a Woman ca. 1480-85 tempera and oil on panel Städel Museum, Frankfurt |
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| Constantijn Huygens Portrait of Lodewijk Huygens 1669 drawing Rijksmuseum, Amsterdam |
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| Andreas Roht Portrait of Friedrich III, Elector of Brandenburg ca. 1695 wax relief Bode Museum, Berlin |
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| Stefano della Bella Half-Length Study of a Cavalier ca. 1630-40 drawing Hamburger Kunsthalle |
-Disciple-1897-drawing-(study-for-painting-Supper-at-Emmaus)-Carnegie-Museum-of-Art-Pittsburgh.jpg) |
| Pascal Dagnan-Bouveret Disciple 1897 drawing (study for painting, Supper at Emmaus) Carnegie Museum of Art, Pittsburgh |
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| Georges Seurat Seated Boy with Straw Hat 1883-84 drawing (study for Bathers at Asnières) Yale University Art Gallery |
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| Hugh Ramsay Académie 1895 drawing Art Gallery of South Australia, Adelaide |
Mephostophilis [to Faustus]:
But now my Faustus, that thou maist perceive,
What Rome containes for to delight thine eyes,
Know that this City stands upon seven hils,
That underprop the ground-worke of the same:
Just through the midst runnes flowing Tybers streame,
With winding bankes that cut it in two parts;
That underprop the ground-worke of the same:
Just through the midst runnes flowing Tybers streame,
With winding bankes that cut it in two parts;
Over the which foure stately Bridges leane,
That make safe passage, to each part of Rome.
That make safe passage, to each part of Rome.
Upon the Bridge, call'd Ponte Angelo,
Erected is a Castle passing strong,
Where thou shalt see such store of Ordinance,
As that the double Cannons forg'd of brasse,
Do match the number of the daies contain'd,
Within the compasse of one compleat yeare:
Beside the gates, and high Pyramydes,
That Julius Cæsar brought from Affrica.
Erected is a Castle passing strong,
Where thou shalt see such store of Ordinance,
As that the double Cannons forg'd of brasse,
Do match the number of the daies contain'd,
Within the compasse of one compleat yeare:
Beside the gates, and high Pyramydes,
That Julius Cæsar brought from Affrica.
– Christopher Marlow, Doctor Faustus, Act III, scene i (1592)