Saturday, May 4, 2019

Pietro Berrettini, called Pietro da Cortona (1597-1669) - II

Pietro da Cortona
The Annunciation
ca. 1665-69
oil on canvas
Chiesa di San San Francesco, Cortona

Pietro da Cortona
Madonna and Child
with Saints John the Baptist, Felix of Cantalice, Andrew and Catherine

ca. 1629-30
oil on canvas
Pinacoteca di Brera, Milan

Pietro da Cortona
Landscape with Alum Mines at Tolfa
ca. 1630-40
oil on canvas
Pinacoteca Capitolina, Rome

Pietro da Cortona
The Calling of St Peter and St Andrew
ca. 1626-30
oil on canvas
Fitzwilliam Museum, Cambridge

"The genius of Pietro Berrettini, usually called Pietro da Cortona, was second only to that of Bernini.  Like him he was architect, painter, decorator, and designer of tombs and sculpture although not a sculptor himself.  His achievements in all these fields must be ranked among the most outstanding of the seventeenth century.  Bernini and Borromini have been given back the position of eminence which is their due.  Not so Cortona.   . . .  To be sure, Cortona's is the third name of the great trio of Roman High Baroque artists, and his work represents a new and entirely personal aspect of the style.  . . .  Compared with his great fresco cycles, his easel pictures are of secondary importance.  But if they alone had survived he would still rank as one of the leading figures of the High Baroque.  . . . [His best pictures], with their brilliant painterly qualities, their careful Renaissance-like grouping, their powerfully conceived main protagonists, and their concentration on the dramatic focus, belong to the highest class of 'history painting' in which the most coveted tradition of Raphael, Correggio, and Annibale Carracci find their legitimate continuation."

– Rudolf Wittkower, Art and Architecture in Italy 1600-1750, originally published in 1958, revised by Joseph Connors and Jennifer Montagu and reissued by Yale University Press in 1999

Pietro da Cortona
Hagar and the Angel
ca. 1637-38
oil on canvas
John and Mable Ringling Museum of Art, Sarasota, Florida

Pietro da Cortona
Return of Hagar
1637
oil on canvas
Kunsthistorisches Museum, Vienna

Pietro da Cortona
Martyrdom of St Stephen
ca. 1660
drawing
Art Institute of Chicago

Pietro da Cortona
Martyrdom of St Stephen
ca. 1660
oil on canvas
Hermitage, Saint Petersburg

Pietro da Cortona
Daniel in the Lions' Den
ca. 1657-63
drawing
Victoria & Albert Museum

Pietro da Cortona
Daniel in the Lions' Den
ca. 1657-63
oil on canvas
Princeton University Art Museum

Pietro da Cortona
David slaying Goliath
ca. 1625-39
drawing
National Galleries of Scotland

Pietro da Cortona
David slaying Goliath
ca. 1625-39
oil on canvas
Pinacoteca Vaticana, Rome

Pietro da Cortona
Madonna and Child with St Martina of Rome
ca. 1640-50
oil on canvas
Musée du Louvre

Pietro da Cortona
Madonna and Child with St Martina of Rome
before 1669
oil on canvas
Musée des Beaux-Arts de Rennes