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| Correggio Adam plucking an Apple ca. 1513-23 drawing Rijksmuseum, Amsterdam |
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| Correggio Académie ca. 1515 drawing Victoria & Albert Museum |
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| Correggio Adoration of the Magi ca. 1517 drawing Metropolitan Museum of Art, New York |
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| Correggio Apostle with Putto and Decorative Frieze (study for fresco in San Giovanni Evangelista, Parma) ca. 1520-22 drawing Morgan Library, New York |
from Ode on Indolence
How is it, Shadows, that I knew ye not?
How came ye muffled in so hush a Masque?
Was it a silent deep-disguised plot
To steal away, and leave without a task
My idle days? Ripe was the drowsy hour;
The blissful cloud of summer-indolence
Benumb'd my eyes; my pulse grew less and less;
Pain had no sting, and pleasure's wreath no flower.
O, why did ye not melt, and leave my sense
Unhaunted quite of all but – nothingness?
– John Keats (1819)
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| Correggio Christ in Glory ca. 1520-23 drawing Getty Museum, Los Angeles |
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| Correggio St Benedict ca. 1520-23 drawing Art Institute of Chicago |
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| Correggio Annunciation ca. 1522-25 drawing Metropolitan Museum of Art, New York |
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| Correggio Study for Decorative Capital ca. 1522-30 drawing Teylers Museum, Haarlem |
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| Correggio St Matthew ca. 1523 drawing Getty Museum, Los Angeles |
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| Correggio Study for Madonna della Scodella ca. 1523-24 drawing National Gallery of Art, Washington DC |
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| Correggio St Jerome and St Matthew in Pendentive (verso of Study for Madonna della Scodella) ca. 1523-24 drawing National Gallery of Art, Washington DC |
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| Correggio Antiope Asleep (study for Jupiter and Antiope) ca. 1528 drawing Royal Collection, Great Britain |
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| Correggio Adam, Abraham and Isaac (study for fresco in Parma Cathedral) ca. 1523-24 drawing Royal Collection, Great Britain |
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| attributed to Correggio Study of Left Hand before 1534 drawing Rijksmuseum, Amsterdam |