Tuesday, September 3, 2019

Cima da Conegliano (ca. 1459-ca. 1517) - Venice (Early Work)

Cima da Conegliano
Madonna and Child enthroned
with St Sebastian, St John the Baptist, Mary Magdalen, St Roch
and members of the Confraternity of San Giovanni Evangelista

1487-88
tempera and oil on canvas
Pinacoteca di Brera, Milan

Cima da Conegliano
Madonna and Child enthroned
with St James the Greater and St Jerome

1489
tempera on canvas
Pinacoteca Civica, Vicenza

Cima da Conegliano
Coronation of the Virgin
ca. 1490
oil on canvas
Basilica dei Santi Giovanni e Paolo, Venice

Cima da Conegliano
Pietà with the Virgin and Saints
ca. 1490
oil on panel
Gallerie dell'Accademia, Venice

Cima da Conegliano
Madonna and Child enthroned
with Angels and Saints

1492
oil on panel
Duomo di Conegliano

"Giovanni Battista Cima, who signed his work "joannis baptiste coneglanensis" (with occasional variations in spelling), was born into a family of cimatori di panni (craftsmen who trimmed and finished wool cloth) in the Venetian terraferma town of Conegliano.  He is first mentioned in the tax records of Conegliano in 1473, presumably upon attainment of the majority age of fourteen, suggesting that he was born around 1459.  He probably moved to Venice in the early or mid-1480s: a document of 1486 records payments to a "Magister Zambatista pictor," resident in Venice, for a standard for a scuola in Conegliano, while a document of 1492 definitely refers to Cima as resident in Venice.  He worked and resided there until his death, although he continued to maintain close ties with Conegliano."

"Cima's earliest dated work, of 1489, is an altarpiece for the church of S. Bartolomeo in Vicenza [above, now in Vicenza's Pinacoteca Civica].  At least one major altarpiece, for the little town of Olera, near Bergamo, probably predates it.  In the 1490s Cima began to receive major commissions for altarpieces in Venice itself.  With Giovanni Bellini occupied with the decoration of the doge's palace, Cima became the leading painter of altarpieces in the Veneto.  About thirty of his altarpieces survive, outnumbering those by any of his Venetian contemporaries."  

– from the artist's biography in the Systematic Catalogue of the National Gallery of Art

Cima da Conegliano
Madonna and Child
with St Jerome and St John the Baptist

ca. 1492-95
oil on panel
National Gallery of Art, Washington DC

Cima da Conegliano
Baptism of Christ
ca. 1493-94
oil on panel
Chiesa di San Giovanni in Bragora, Venice

Cima da Conegliano
Madonna and Child with Donor
1493
oil on panel
Gemäldegalerie, Berlin

Cima da Conegliano
St John the Baptist
with St Peter, St Mark, St Jerome and St Paul

ca. 1495
oil on panel
Chiesa della Madonna dell'Orto, Venice

Cima da Conegliano
Annunciation
1495
tempera and oil on panel, transferred to canvas
Hermitage, Saint Petersburg

Cima da Conegliano
Madonna and Child
ca. 1495
oil on panel
Pinacoteca Nazionale, Bologna

Cima da Conegliano
Madonna and Child enthroned
with St Peter, St Romualdus, St Benedict and St Paul

ca. 1495
oil on panel
Gemäldegalerie, Berlin

Cima da Conegliano
Rest on the Flight into Egypt
with St John the Baptist, St Lucy and Two Angels

ca. 1496-98
tempera and oil on panel
Calouste Gulbenkian Museum, Lisbon

Cima da Conegliano
Madonna of the Orange Tree
with St Jerome and St Louis of Toulouse

ca. 1496-98
tempera and oil on panel
Gallerie dell'Accademia, Venice

Cima da Conegliano
Madonna and Child in a Landscape
ca. 1496-99
oil on panel
Los Angeles County Museum of Art